Shoot

Elyse’s Gorgeous Studio Engagement Shoot

Elyse is a beautiful and upbeat woman who is very well-known and a friend to everyone. And she’s getting married. Though she and her fiancé live in California, we did a studio engagement shoot while they were here in Utah. And the images are gorgeous! I’m really excited to share them with you.

In fact we just finished her portrait inserts for her announcements, and I’m excited for people to get them in the mail. She posted one of the photographs on Facebook yesterday and it quickly garnered over 700 likes in just a few hours (it’s now over 850). It just shows how much she’s loved and how excited her friends and family are for her upcoming wedding.

Here are some of my favorite images from our shoot, designed up as a framed square wall collage.

I love how beautiful they look in each of these images, and how great they look together.

After shooting some on a light fashion gray background, we changed up the lighting and background and went with darker colors behind. Here some of our favorites.

I took a few portraits from the brown series and designed this framed trio. It’s a beautiful way to show a story between the images.

I’m very excited about this engagement shoot and for their upcoming wedding. I know it’ll be a gorgeous and blissful event.

If you’re getting married, I’d love to create some amazingly gorgeous images for you too. Here are a few links for info…

I’m a Utah based photographer, and do work all over the USA, and sometimes abroad. Give me a call and let’s talk about your dream portraits.

And until next time, America.

Cute Little 2-Year-Old Twins

I had the joy of photographing these cute little 2-year old twins for their birthday portraits. They were so fun and expressive, that they had me laughing the entire time.

Before shooting outside, we started off in the studio on a clean white, to show off their fun, colorful, number-2 shirts. I have things that I do to get little kids to relax and open up with me, giving me great expressions. Right from the beginning, this little boy opened up and saw me as his buddy. But the little girl was a bit more apprehensive. She brought her favorite monkey, and held on to him for the first part of the shoot and started off with some cute scowls.

Before long though, they were both doing great and we got some wonderful smiles from both of them.

One of the games I play is to “get their toes.” In this photo, she’s poking her feet out to show me her toes because she wants me to get them again. It’s a good sign and shows she’s happy, open, and having a good time.

Then a change of clothes and a wonderful, somber expression from both of them. I love these outfits, and love how each one is standing. Their body language is perfect.

But then their moods swapped. She was happy and open, but he started to crash and cry. For comfort, he’s holding a toy car in one hand, and food in the other. And this little girl is calm with her monkey.

And then back to some fun expressions out of both of them again.

But when he started to lose it again, calling his aunt on the phone helped him settle down. And I love her expression, watching her brother.

Sitting down in the chair, she comforts him with an arm around him.

Using these favorites from the studio white, I designed up this 9-up portrait collage, ready for the wall in their home. It’ll be finished and framed, setting these images off.

Then stepping outside into my studio gardens for a change of scenery, we got this wonderful little kiss! They’re each turned perfectly so you can see both of them, neither one covering up the other. And I love their bare feet.

We also did some individual portraits of each of them. Here, she poses against a tree with her head cocked as the wind blows her dress.

And he stands in a nice, squared-off masculine pose, watching what I’m doing, a little worried and ready to be done.

These three images worked really well in this wall trio design.

Little kids grow so fast, and memories seem to be as fleeting as time. I love being able to create wonderful heirloom portraits like these, and I hope their family loves these, and that these adorable children will love them too when their older and can look back on their 2nd birthday together.

I love how these turned out and had a wonderful time with these two beautiful kids.

Summer is leaving us and the window for outdoor portraits is closing. Now is a great time to bring your family or children in for some family portraits. Right here I can do indoor studio and outdoor portraits in the same place, or I can travel to special locations too. Give me a call at 801-728-3317, and let’s create something beautiful for you and your home.

And until next time, America.

Jessica’s Cold Wind Photo Shoot

I recently spoke for Adobe at the two big national photographic conventions, PPA in Nashville and WPPI in Vegas. The week leading up to the second convention I photographed Jessica, and used her shoot as my demo for the crowd in Vegas to teach workflow and retouching. It worked great because it was a fun photoshoot that involved some problem solving.

We had a batch of warm weather and planned something outside, but it turned out to be a very cold day in Utah instead. And because of time constraints, our first choice for a location shoot fell through and we instead met at a parking lot between us where there was no “traditionally great” place to shoot. But we set out to find something that would hide the brown, dead, winter look of Utah, and also possibly block some of the heavy and cold winter wind of the day. And with some creativity and lighting skills, I know that any background can work.

Jessica spotted this awesome bright red double-decker bus and we set up. The wind was cold and pretty heavy, I believe hitting 20 mph that day. But the wind was blocked on this far side and the sky was on a great angle from the sun to really go blue when mixed with some lighting techniques that would also knock down the harshness of the sun.

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Jessica is great in front of the camera. She’s relaxed, she moves well, and she responds perfectly to direction. I love the emotion and action between these images in this trio above. The deep colors, her hair blowing, her laugh – it all really makes this set incredibly interesting.

We also did some work on the side of the bus to put the sun behind us, but the wind was a lot stronger here so we didn’t last long. But here is one of my favorites with her hair blowing in the wind. And with the warm beautiful colors, you’d never know it was freezing cold. However, between setups, she was bundled up in coats. She was a good sport.

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We didn’t have much time left, so I thought of finishing up inside somewhere warmer. There was a nearby hotel where a friend used to be night manager, and so we walked over and asked to use their lobby for a few minutes. This is Jessica as we were walking in, wearing my down parka backwards on top of her own layers.

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We took about 20 minutes or so in the hotel’s lobby, and got a great variety of amazing images. There is a lot of expression and changes of mood in these images, and notice too how the lighting changes from shot to shot to constantly highlight her cheekbones as she moves. There were so many fun images and every one shows a different side of Jessica and I couldn’t cut any out. In fact I thought they worked great as a series so I used them all and created this square collage.

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Though my program for Adobe was on retouching techniques, the big secret is to of course do everything with lighting so that no retouching or adjustments are required. And then when you retouch, it should be subtle so that everything looks natural. That’s what really makes women look great.

But as a side note, none of the images in these collages have had any retouching or adjustments. And yet her eyes pop, her skin glows (and isn’t gray or muddy), the angles of light and the color balance are all right on so she looks great and the background colors pop – and add to that Jessica’s graceful movements and her fun personality and we have one killer shoot.

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This colors of the couch and wall worked great with her outfit so I made a trio (above) and felt this one long shot below was really interesting and captivating, so I used it as the basis for a painting.

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And here is the final painting.
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And on the way out of the lobby was a big leaf mural. I shot a few closing images by it and did some texture work to the background.BryCox_Jessica_05

Well there you go, one great shoot created on a very cold and windy day while finding new and unique places to shoot.

If you were a photographer who attended my speaking event then you can see how the collages and and other ideas all came together. If you’re a model or a high school senior and want fantastic images, now is the time to book. And if you’re a bride and want to look great no matter where your wedding is located or what the weather is like, give me a call. 801-728-3317. I know just how to make women look great, so call me and let’s talk about your dream portrait.

And until next time, America.

Abby’s Studio Shoot

I recently photographed Abby in my studio for my recent lighting video tutorials for photographers. Abby is a talented architectural and interior designer, and was at my studio because I was working on some interior images for her and designing un updated website for her business. (I think it would be a good idea to post about her business on my blog actually. I will do that!)

So I needed a studio model for my tutorial and talked her into doing a quick shoot when we were done. The shoot went great and the images look beautiful.

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As you can see, Abby is a great model. She’s beautiful and fun to shoot, and did well and showed a lot of personality in front of the camera. All of the images looked great, and it was hard to pick any favorites. I especially liked this series of three images below.

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These video tutorials were created because as I’ve taught and spoke around the country, I’ve found that most photographers admit to having personal difficulties when they light either inside or outside. One or the other seems to be harder, so this video series is to help give photographers a specific system that works everywhere. It shows that lighting inside is no different than lighting outside. The system shows that in all instances, you should light people specifically and beautifully, and always control exposure, lighting, and color balance. When done right, images straight out of the camera do not need retouching or correction. So if you want to spend time on the computer, it can be creative work and not corrective work.

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Though I may speak and shoot images all over the US, I’m a Utah based photographer and my studio is about 30 minutes outside of Salt Lake, out in the quiet country. Here I have both indoor and outdoor options. I have a half acre of trees where I can shoot outside, but also a beautiful studio inside. This means I can photograph people in a variety of locations without travel fees.

However, sometimes when people don’t want studio images. This is based on the awful images created in grocery store or mall studios, or even the 1990’s type studio images. But a studio used in the right way means getting some very modern images with some very specific and controlled lighting. It’s not uncommon for clients to come to me for some outdoor portraits but then choose the indoor studio images are their top favorites.

So if you need some awesome images, give me a call. Maybe you need a portrait for your website or business, or you would like some fashion images or some portfolio work, or just some updated family portraits. If so, give me a call. It’s a great time to get in for either an outdoor or indoor session. 801-728-3317.

And until next time, America.

Stephanie’s Studio Shoot

Photographers usually have difficulty in lighting either inside or outside. One tends to be easier and the other is harder. So for my recent lighting video tutorials for photographers, I photographed Stephanie here in the studio, showing that lighting inside is no different than lighting outside. In all instances, you should light people specifically and beautifully, and always control exposure, lighting, and color balance. When done right, images straight out of the camera do not need retouching or correction. So if you want to spend time on the computer, it can be creative work and not corrective work.

With that in mind, here are the images I created during Stephanie’s shoot. I really love this first one, the colors, the textures, the look and expression — everything draws you in. For the creative work, I turned it into one of my signature texture pieces. They are fun to create and no two are ever the same.

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Here is another one of my signature textured pieces, but this one is a different outfit and of her smiling. I think she really glows in this, and I really love the light on her hair, which has a soft flow to it.BCox_LightingDemo_02

And with a change of outfits, this trio below is awesome. I love the different moods and expressions, and the different ways of leaning really helps this entire piece balance well.

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Though I do work all over the US, I’m a Utah based photographer and my studio is about 30 minutes outside of Salt Lake, out in the quiet country. Here I have a half acre of trees where I can shoot outside, but also a beautiful studio inside so people can have options without travel fees.

Sometimes when people hear “studio,” they think of a boring 1990’s type image. But as you can see from these images, my studio portraits are far from boring.

So if you need some awesome images, give me a call. Maybe you need some fashion images or some portfolio work, or just some updated family portraits. Well warm weather is here and it’s a great time to get in and avoid the summer rush. 801-728-3317.

And until next time, America.

McKenzie Fashion Shoot On Location

McKenzie is a joy to photograph, so for my recent lighting video tutorials for photographers, we went out and did a shoot in the hardest of situations — on location, no shade, broad daylight, multiple flashes, and all settings on manual for camera and flashes. The goal was to show photographers how to create amazing images under any circumstances without excuse, and with perfect lighting using any type of gear. The exposure, lighting, and color balance should all be done deliberately and should not have to be adjusted afterwards with software and people’s eyes should pop without any retouching.

We did the shoot cold too, not scouting the locations or picking the angles prior to the shoot. Everything we shot was organic and real, and you see how I do everything. We found the spots by simply driving out to an area with no possibility of shade, then we pulled over and began to shoot. Here are some of my favorite images of beautiful McKenzie.

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Being a Utah based photographer near Salt Lake City, there is a plethora of cool locations to shoot if you know how to use them and make them work dramatically in the image. They don’t have to be the same spots that everyone else uses.

I should mention too that these have almost no retouching or enhancements. In the tutorials I show the before and after of each image. The deep blue sky, the great skin tones, the sculpting shadows — everything is real and done in-camera. McKenzie moves really well too. She’s great and posing naturally and at giving real expressions. Together we make a great team!

If you need some awesome images for any reason, give me a call. Maybe you need some fashion images or some portfolio work, or just some updated images of your children. Warm weather is here and it’s a great time to get in and avoid the summer rush. 801-728-3317.

And until next time, America.

Pictureline Blog Article – Model Shoot Testing Rogue Flash Gear

About a week ago, I told you I had a cool shoot to share. Well this is it. Pictureline, which is my favorite camera store in the country, asked me to review the Rogue line of flash diffusers for a blog article. I tested the pieces by taking a model out to shoot in high-bright sun, low sun, bright shade, and deep shade.

See the images I created along with my setups in the article today at http://www.pictureline.com/blog/rogue-flashbender-review-and-giveaway-with-bry-cox/

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I want to thank Pictureline for asking me to do this. They are a fantastic store with a fantastic staff. Being a photographer, random people are always asking me what camera or lens they should buy. Though I may share my opinions, there really are too many options now for consumers, especially those who are not full-time pros. The best place to get advice and to buy any gear whether you’re a pro or not, is at Pictureline in Salt Lake. Even if you live further away, they are still the best place. If you go there, you’ll see why it’s my favorite store.

Well until next time, America.