fashion

Paris Modeling in Texas

I had the pleasure of photographing this beautiful model named Paris while I was in Texas. I was teaching a photographic workshop on lighting and had photographed Paris a few years before, and contacted her to come be my model again. I’m grateful that she did, and we got some beautiful images.

The first part of my teaching was to demonstrate how to shoot with perfect exposures and color balance. Then when you’ve conquered that, you can focus predominantly on expression by connecting with your subject. The goal is to get captivating and real expressions, and as you can see from these thumbnails of un-retouched images, everything looks great. The hard part after a shoot like is is having to decide which images are the absolute best, and I do that by seeing what speaks to me. Those photographs become my top favorites.

From those top images, I picked some to retouch in front of the photographic group, showing them what I do to each image while also showing how little retouching is actually necessary when images are perfectly lit with superb auxiliary lighting.

Starting on a fashion gray background, we have a beautiful set of images of Paris. She looks beautiful, her eyes and expressions glow. We nailed getting the captivating portrait in the first few minutes.

These first few images took about 5 minutes. From there I let other photographers practice shooting her, while I moved on to other models and teaching. Later I circled back for another 5 minutes with Paris, and we did these of her on this gorgeous blue background which really makes her eyes pop. Again, all of these look great.

Then one last time before we ended, I did one more quick 5 minute shoot with her, this time with a change up of lighting styles and while demoing a brand new camera that just came out. So in all, I only photographed her for about 15 minutes total, but we got all of these amazing images of her – all great, all captivating, all beautifully lit.

Knowing that we had great images from earlier, we began to play with motion – having her play with her hair, turning, and incorporating some movement and chaos. I really love how these turned out.

And to end the shoot, we did a quick portrait together under the beauty dish light setup with me holding the camera with one hand.

This was a really fun shoot and I’m grateful that Paris could make it. It’s always great to see her and she’s a joy to photograph. If you’d like some great portraits done of you, it’s a great time. Give me a call at 801-728-3317.

And if you’re a photographer looking for more training like this, check out my online courses or in-person workshops at BryCoxWORKSHOPS.com.

And until next time, America.

Studio Shoot with Jacq

I had a great time photographing the fun and beautiful Jacqueline in this studio photo shoot. These images are so beautiful that I have to share with you some of my favorites.

We shot a couple outfits, and this first image is one of my favorites from the whole shoot. I love her look, expression, and the overall feel of this photograph.

With a different style of lighting and a new background, we got this stunning headshot of Jacq.

And then photographing her in this retro blue outfit on the fashion gray background gave us lots of great options, all completely different with a unique set of expressions and looks, with full length and mid-length.







I really love what we got from this shoot and hope that Jacq loves these as much as I do. My indoor studio located here in Davis County, Utah is a great option for fashion shoots, commercial shoots, avoiding bad weather outside, or anytime you want even more custom lighting options.

If you’d like some beautiful new images, give me a call at 801-728-3317. It’s a great time to come in and update your portfolio.

And until next time, America.

New Headshots and Fitness Portraits for Addie

Winter is a great time to update headshots for your business. And I just had the pleasure of photographing Addie for some new headshots and fitness images that she needed for work. Addie travels the globe running marathons (like Boston, London, Germany to name a few), and when she’s in Utah, she trains runners for Life Time Fitness.

We needed to create some beautiful headshots with a commercial white background, and also some fitness images that could be used for banners or social media. So we started here in my studio and got a lot of great headshots. Here are some of my favorites.


Then I had some fun shooting some black and whites with selective focus, like this image.

Then before going outside, we shot a few full body images in the studio. I think these look great.

For the outdoor images, we used a long empty road near my place and set up some lighting to give us a deep blue sky and to overpower the direct sun so we could shoot the directions we wanted.


If you’d like to follow Addie or run in her Run Club, she’s on Instagram as @addielillian. And you should also check out her health-food blog where she cooks new things, beautifully photographs the meal, and posts the recipe. It’s called Addie’s Pantry.

And if you or your business need some new headshots, give me a call, 801-728-3317. I also have a separate website for just headshots and commercial images at BryCoxPro.com.

And until next time, America.

Model Portraits from Teaching at ‘Texas School’ Photographic Workshop – Part 2

Once a year I speak at this big event for photographers called Texas School. It’s at the end of April and photographers from all over the US and abroad fly in to train and learn for an entire week. It’s always one of my favorite events, and part of my teaching style is to give photographers personal challenges using custom lighting while shooting models to see how they do.

And at the end of the week, we have a shootout where photographers from all classes can see quick demos from various instructors. For those demos, I was given a cool Ferrari as a backdrop, and a bunch of models that would come through every few minutes. I photographed the models very quickly shooting about 10-15 photos per model in just a few minutes using some quick lighting techniques.

It’s perfect for showing a crowd of photographers the essentials for shooting a variety of poses, using lighting to sculpt and define faces and bodies, as well as metering, white balance, and getting clients to relax in front of the camera. Behind me, you can see groups of photographers like this, shooting their own photos.

And despite crowds of people moving through my background, here are some of my favorite images I created that evening.

I love the creative challenge of working quickly with various problems to solve – like onlookers, other people walking through the background, the best angles and lighting for a model’s face and body shapes, quick posing, color, exposure, and more.

Here’s me shooting, as a behind-the-scenes image in black & white.

If you’d like some great and creative images, give me a call at 801-728-3317. I’d love to create something for you that you love.

And to see more images created during this event, including in studio, see Part 1.

Finally, if you’re a photographer and would like to attend a full weeklong workshop with me, or would like some online instruction, check out my training website for online videos and upcoming schedule at BryCoxWORKSHOPS.com.

And until next time, America.

Fundraiser Portraits With a ‘Vanity Fair Backstage’ Look

This weekend I photographed custom portraits at a fundraiser to help raise money for our friend who is re-learning to walk after Lyme disease. The crowd was mostly friends and people I knew, and knowing that everyone would be dressed up, I thought I’d mix that dressiness with the cool tile of the location for a magazine styled shoot.

Along with offering some silent auction photo shoots that raised $600, I also did quick photo shoots of my friends there. I utilized one studio light with a small modifier to create custom but very directional lighting for lots of moody shadows and aimed just right for no retouching. I then posed individuals in unique ways as if it were a “backstage at the Oscars Vanity Fair” type photo shoot. I also created a film look that warmed the highlights to a nice golden tone that was applied to the images on my laptop as I shot.

I had a long line all night and photographed a few hundred people, averaging 2-3 shots per person. I then picked my favorite of each person right there off my laptop. After the event, I posted the portraits on Facebook and the results have been blowing up my facebook feed, so I thought I’d share them on my blog today so you all could seem them too. Here are just some favorites.

Yes, there’s even one of me. I shot it with a remote in my hand before people arrived. I wanted to double check the lighting and look of the tile and tones before we started. I really love the variety of poses and looks with everyone. I think the shoot went great.

With so many people, this is just a few. But all of the images are up on my Facebook page, and you can see them all if you follow me there.

If you work with a Utah charity and would like to talk about package donations to raise money, give me a call at 801-728-3317. I’d love to talk more about what you’re doing and how I could donate some packages for auction, or otherwise be involved in raising money.

And until next time, America.

Model Portraits from Teaching at ‘Texas School’ Photographic Workshop – Part 1

Once a year I speak at this big event for photographers called Texas School. It’s where photographers from all over the US and abroad fly in to Texas to train and learn for an entire week. It’s always one of my favorite events, and part of my teaching style is to give photographers personal challenges using custom lighting while shooting models to see how they do.

And while I’m teaching and demoing or showing various methods and procedures, I often need to photograph the models myself for a few minutes. Here are some of those images, starting with a portable studio setup and this gal in her red dress. I really like these three images individually, but also think that together they would make a great trio design too. The deep blue background really makes her eyes and dress pop.

This next young lady was a twin, and I did some images of both sisters individually and some together. But here are two of her alone, shooting with a high school senior style.

And here are these two twin sisters together, showing how much they look alike.

We had some fun with this next model, including doing some creative artwork on the backgrounds.

This next lady with the pretty eyes is a professional dancer as you may be able to tell from her natural posing. And she is also the sister of a model I photographed the year before. I thought her dress and colors were very pretty and turned out really nice on this deep blue background.

 

And finally for this model, we walked around the hotel to find locations and backdrops that would be interesting, lighting her with mobile equipment. Putting her against this green vegetation really made her red hair and dress stand out.

And we closed with some of her sitting on the hotel bar, mixing artificial light with room light to both make her stand out while also getting these bar lights to glow.

There’s a lot more I could show from this event, especially images that I shot on the run on location with some cool vehicles. I’ll pull some favorites and post some of them soon. But in the meantime, if you’re a photographer and would like to get more training on lighting and photography, check out my training site where I not only have online training videos, but a schedule where you can come to a live workshop. My training site is BryCoxWORKSHOPS.com.

And until next time, America.

Impromptu Photo Shoot of Gabrielle

Gabrielle is a writer for the company Fstoppers, and I met her while I was speaking at the big national photography convention ImagingUSA. This year the convention was just held in Nashville, and it’s unusual for it to snow there. But right after I finished speaking, we were hit with a gorgeous snow storm. And having met Gabi with her fun style and her purple hair, she seemed perfect for an impromptu photo shoot out in the cold snowy night.

Because I was there to speak and not take portraits, I didn’t have my typical professional load out of gear. But as I teach photographers at my workshops, great photography is about knowledge, not gear. We should be able to create great images with any gear, if we know what we’re doing. So using my small travel camera (that I refer to as my “toy camera”) along with a basic light and umbrella that I had with me, I was still able to control my lighting angles and create some great images. See what you think.

Though I had in mind color images in the snow, some of the images really popped as black and white. I really love how these look.

Also, the air was too frigid to work for too long outside. My fingers quickly stopped working and went numb as I tried to control the dials on my camera. So we went in and finished up our shoot using the indoor garden atrium of the Gaylord Opryland Hotel. The plants and leaves were the perfect backdrop for Gabi. 

And while in the atrium, we used one more backdrop – the walls of the indoor shops. It gave us the look of being off on location while actually being inside and warm. 

There’s a lot of personality in these images and I really love how they turned out. It would have been fun if Gabi and I had done a full shoot with various changes of outfits and location. Perhaps at another event sometime.

And if you’d like some fun and updated photographs whether they be for business or for fun, now is a great time to get them done. Here in Utah, snow outdoor locations are easier and warmer than in Nashville. Plus I have an indoor studio for other options as well. Give me a call at 801-728-3317.

And until next time, America.

Creativity and Fashion Shoots in Texas (Part 2)

Here’s some more images I shot while teaching creativity and fashion for a week in Texas at the biggest photography event of it’s kind. I specifically teach photographers how to connect with people to pull out genuine emotion, while at the same time nailing lighting and everything else technical. That way when you start adding complexity (like movement under studio lights), you create some uniquely magical photographs.

And this cute model with the red hair was terrific to demo these principles because she followed directions and moved instinctively well. And her personality worked well under the studio lights so I was able to push the creative bounds and shoot a lot of movement with her. I love all of these with her hair in motion.

And she really jumped well in high heels. At first I wanted her to jump barefooted because I worried about her landing and getting hurt. But she insisted that she could jump in high heels and they make these photographs even better. She had great positioning in the air, and photographers should note that even when jumping, the lighting is still perfect on her face and waist.

My shoot with her was very quick because I wanted other photographers to try what I was teaching. I’d do a quick demo with her then allow everyone else to shoot. But even in our short demo shoots, we created a huge variety of photographs. This set of mid-lengths on blue really show personality and make her eyes pop.

If you’re a high school senior, a model, or otherwise need some creative images that grab attention, give me a call at 801-728-3317. And if you’re a photographer wanting more training in lighting, creativity, or technique, visit my training site at BryCoxWORKSHOPS.com. I have live seminars around the country and lots of online courses as well.

And until next time, America.

Creativity and Fashion Shoots in Texas (Part 1)

I’m excited to share these photographs that I created while teaching my big week-long intensive photographic workshop in Texas. It’s the biggest and best event of its kind where 1000+ photographers from around the world come in to learn in small groups for an entire week with one instructor. As one of those instructors, my class is specifically on creativity, fashion, and adding emotion to an image – while at the same time nailing everything in camera. That means everything is measured and angled perfectly so exposure and color temperature are perfect, and skin, eyes, and body shapes look great before any retouching.

This first set of images in this post is not a Photoshop effect, but rather one exposure with a series of extremely quick flash bursts. This model was wonderful and moved like a dancer so I was able to describe how I wanted her to move during the shot, and she was able to hit her mark over and over. So each photograph is a series of multiple exposures all in one shot.

I love the blending of images showing movement, and how her red hair pops against this beautiful blue background. All my equipment was provided by my friend Melanie and her family at Arlington Camera. They were able to set me up with exactly the equipment I needed to create a full studio at the hotel. And I broke that gear into multiple studio bays to let photographers try the techniques I was showing.

Here is a short iPhone video showing me in action creating these images. This video was shot by my one of my equipment wranglers and helpers, Lisa Crayford. I took the raw footage and added the photos I shot to the end. Notice how I’m locking my body in to be my own tripod during the long exposure, and looking out over the camera to make sure I shoot and catch exactly what I want.

If you need some creative images that grab attention, give me a call at 801-728-3317. And if you’re a photographer wanting more training, visit my training site at BryCoxWORKSHOPS.com.

And until next time, America.

Street Shoot in Carlisle Pennsylvania, Part 2

While teaching a photographic workshop in Carlisle, Pennsylvania we did a shoot on the beautiful street in front of our hotel. I had previously posted the high school senior that I’d photographed, but I shot a cute little girl who was the daughter of the photographer who organized the event. I wanted to share some of those images as well with again, no retouching. We have great expressions, great skin, eyes that pop, and our color is nailed throughout the shoot. I taught systems for doing all of this on a shoot and these images show how great it works throughout a portrait session.

This little gal had such a variety of expressions, that I thought a composite design was best to show them all off. I can imagine her older in a few years, looking back on this shoot, loving this design, and enjoying her young personality.

And this trio shows off another cute outfit of hers. I really liked her boots in this and wanted to show them off.

If you’re a photographer and want to learn more, check out my live workshops as well as online training at BryCoxWORKSHOPS.com. And if you’re in need of some great photography, give me a call, 801-728-3317. Spring is here and I’d love to create something amazing for you.

And until next time, America.

Street Fashion Shoot in Carlisle Pennsylvania, Part 1

I just got back from teaching a multi-day photography seminar to the Professional Photographers of Pennsylvania. For one of those days, we did a live shoot on the beautiful street of Carlisle, Pennsylvania, just outside the convention hotel. They had this very pretty high school senior model for me to photograph so that I could demonstrate various lighting techniques while shooting fashion images.

The big take-away I hoped photographers would get out of my program was that no matter the location or lighting style, images should be so good in the camera that they don’t need retouching. Eyes should pop, skin should glow, and people should look better and thinner because of your lighting techniques – not retouching.

And great images means a quicker work-flow, cleaner retouching techniques, and far more powerful photographs because they’re believable. As a followup to that shoot, I wanted to post some of my favorites – unretouched of course. I spent my computer time picking favorites, doing some quick color toning, and adding edges. Other than that, no retouching, no eye whitening, no skin softening, nothing. I hope people can see how great these images look. In fact they’re better than most people’s images after retouching.

During the workshop I showed how to create and design collages for clients. During that demo I shared my quick retouching techniques. So in this collage, two photographs are retouched. The rest are not. I doubt most people could tell which ones are which. If anything I hope people notice the variety of personality and expressions from such a short shoot.

And here is a fun trio design using photographs shot just inside the stoop of an old building.

This next image is actually a painting that I created in front of the crowd of photographers. So this was first retouched, then used as a reference to create this painting. I love paintings because they’re so unique and different. And they look stunning on the wall.

This blue tone to the background is not a computer effect. It was done in camera with just lighting. This street was fantastic to shoot on. Every building and doorway was quaint and engaging. We had a lot of wonderful meals on our downtime in this area, all within walking distance.

And to finish up the shoot back at the hotel, a few images in the hotel lobby using a couple strategically placed lights.

I also did a second shoot with an adorable little girl. I hope to post some of those later. But for now, if you’re a photographer and would like to train with me, check out my training website at BryCoxWORKSHOPS.com. I do a few live events around the country each year. But I also offer full online courses on everything from lighting like a master, to getting great expressions, to the quickest workflow using Adobe products. Those courses are great for people who want to learn at home, or get a head start on a live training event with me, or for those who want even more training after a live event.

And for kicks, here is an iPhone pic of me in action shot by one of the photographers. Aside from my entertaining “stance” (which is the correct way to bring your camera-line lower), I like this photo because it shows my camera meter. I believe strongly in constantly measuring the light from all directions. And it also shows the how the street scene and the model look normally with “natural light” (which is how the iPhone sees things) versus in my photographs which have specific lighting techniques added.

If you’re in the market for some new photographs, either as a senior looking for a fashion shoot, or perhaps you need something for your family, now is the time. Give me a call as spring is booking up, 801-728-3317. I’d love to create some fantastic photographs of you.

And until next time, America.

Windy Winter Mountain Shoot with Nicholette in Utah

The wind was bitter cold as we hiked up through the snow to a small overlook in our nearby Utah canyon. The climb was slippery and full of tall new powder that went well past my knees and nearly to my waist at one point. Once at the top, the wind was stronger and even more frigid so we worked fast, also because we needed to beat the setting sun. The entire shoot was maybe 20 minutes long before we headed back down the mountain, yet in that short amount of time we got some great photographs. Here are some of my favorites.

Utilizing some specialized lighting techniques, I punched up background with more blue tones to enhance the cold feeling, while simultaneously adding warm light to the model. It makes her stand out dramatically, while also creating a visual separation between her and the background. And with her beautifully dramatic features, I used a more sharp, commercial/fashion style of lighting too to really enhance her cheekbones and eye shape. I love how these all turned out.

For this one, I also created an animation with slow motion snow that falls around her. Notice that the snow falls around her, some in front, most in back.


I love the changing direction, the wind, and how great these all look. This time of night worked beautifully for this deep-blue look. And the final images are captivating.

If you’re in need of a great set of images, either for work or commercial use, or for your own personal needs – give me a call. 801-728-3317. I’d love to create something amazing for you, outdoors in the Utah snow or here in the studio. It’s a great time to create some wonderful photographs.

And until next time, America.