This week I realized that I needed a really cool and iconic portrait that screamed, lighting is my specialty. It needed to be an image that could be used in a magazine, used for promoting speaking events, and used on my studio’s opening web page for all my clients to see. It had to be colorful and catch the eye and be completely different from anything else out there.
As I thought about it, the idea came. Being a specialist of light, I needed an image that said, “artist of light.”
I could envision the complete image, the location, the time of day and exposure I’d need for the right kind of blue sky, where the lights would be in the frame, and how I’d mix different lights with different color temperatures to create the right depth and mood. It would be a vertical image ready for a magazine, and I’d be holding the main light with one hand and firing off the camera with a remote in the other hand. And the kicker would be that the main light would be my flash-on-a-stick idea that I’ve been speaking about for the last few years (which is ideal for quick, manual, and very controllable custom lighting, and can be used a number of ways).
That was my idea; very detailed. So the next night I packed up my truck with all the gear I’d need and I headed out to my location. The end result not only matched exactly my idea, but turned out even better than I imagined.

The key to any great image is lighting. I’m a PPA Master photographer and I speak all over training photographers on how to problem solve and create exquisite lighting using whatever gear you may have with you. It’s not about brand, or auto-settings, but about know-how.
There is a philosophy out there with photographers that lighting is just about exposure, making sure an image isn’t too dark or too light. People with this mindset think of adding a reflector or a flash only when someone’s face is dark or backlit, and even then no care is taken in terms of using light to flatter or sculpt people. Angles of light, choice of modifiers, and color temperature are not even thought of.
I want to be different. I want to create images that stand out from the crowd. I want images that pop with vibrance and emotion and that flatter people and look amazing, that feel three-dimensional, and are created on purpose with repeatable, controllable, manual settings.
I’m sure you need a really cool iconic image to promote you or your business. Let’s talk and create that for you. Or maybe your a bride or a mom and need something beautiful and timeless of your family or upcoming wedding. In either case, give me a call, 801-728-3317.
And until next time, America.



I had a very limited amount of gear with me, but it was enough to create the custom lighting I needed to both sculpt her as well as bring out the awesome skies in the background. I really love how these turned out.
She was a great model and the shoot was a fun break to get away from the crowd on the boat and be creative. I find it interesting that sometimes I need to get away from the studio and relax, and other times I need to get away from relaxing and shoot something and be creative. This trip was a mix of both. I didn’t have internet or phone service for that week, which meant being completely off the grid: no email, no voicemail, no Facebook, no news. It was odd at first but also very relaxing. But I also went hoping to create beautiful images of places I had never been. It’s fun to shoot abstracts and scenics, but I also love faces. You’ll notice in my previous post of art images from the Caribbean, faces I met along the way. But it is also fun for me to create portraits with my Master style of custom lighting using an exotic location as a background.




These images were created in the St. Thomas area.









The last stop was Grand Turks. It had one of the prettiest beaches. It was a very small island, only 1 mile wide and 7 miles long. The port is at one end, and I paid a local guy to drive me to the other end to photograph a lighthouse. I love searching out and photographing lighthouses when out of town. 

Here is a pirate statue that guards the door of a building right next to the lighthouse.
Once on board, I hustled up to the top deck to finish photographing the sunset.
And one last image of this man undocking our ship, shot through the guard rail, creating a cool ‘Z’ shape in white.
It was a great and relaxing trip, but it is good to be home. Let me know what some of your favorite images are. I’m curious what others like. I will add some to my

















