Bry Cox at Photo Beijing China & Inner Mongolia (Part II)

Before leaving Beijing for Mongolia, I took a few hours between meetings to walk a few miles around my hotel. I quietly photographed people and the scenes around me. Here are some of my favorites, starting with some older men flying kites, something I hadn’t noticed in my previous trips to China.

© BryCox.com, Bry Cox

© BryCox.com, Bry Cox

And with Beijing being a city of 20 million people, there is a lot of variety in city life in just those few miles around my hotel. I hope you can feel a sense of what it’s like to visit this city from these photographs.

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© BryCox.com, Bry Cox

© BryCox.com, Bry Cox © BryCox.com, Bry Cox © BryCox.com, Bry Cox
© BryCox.com, Bry Cox

© BryCox.com, Bry Cox © BryCox.com, Bry Cox

© BryCox.com, Bry Cox

© BryCox.com, Bry Cox

© BryCox.com, Bry Cox

© BryCox.com, Bry Cox© BryCox.com, Bry Cox
© BryCox.com, Bry Cox© BryCox.com, Bry Cox

The complexity of the newsstands are interesting to me. And in this first image, you may not notice right off the bat, but the salesman’s face is behind the glass in the upper left corner.© BryCox.com, Bry Cox© BryCox.com, Bry Cox

After this photo walk I had a big dinner to attend. Then early the next morning we traveled to Mongolia, a long 12 hour drive. It was much colder up there and I had to make due with what little I brought with me as you can see in this self portrait overlooking a Mongolian Buddhist temple at sunrise. Some of my favorite images of the trip were created in Mongolia, and I’ll share some of those in my next posts.

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So until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part I)

I just got back from speaking in China at Photo Beijing, 2015 where I was treated like a king. It was such a great experience and I’ve been anxious to share more about this trip. My hosts also asked if I’d be a photographic ambassador and visit Inner Mongolia as well, and I took a lot of great images there of the most interesting faces. I’ll share more about that later. For part 1 of this trip I wanted to start with Photo Beijing 2015.

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I wrote an article on street photographer Vivian Maier, which is getting compiled with other articles into a book being published later. Because of that article, I was asked to travel to China to speak on Vivian Maier. (I’ve also posted that article online for paying members of my photography training site for it’s insight into posing and reading people’s personalities.)

After speaking on the opening day, they had a big ceremony complete with red carpet where they had me walk while being photographed by a huge crowd of people. While walking amongst the camera clicks and flashes, they had television cameras too from CCTV, and I could even see myself projected on the huge screen in the distance as it cut from camera to camera. The whole thing was quite exhilarating.BryCox_PhotoBeijing2015_China_02 BryCox_PhotoBeijing2015_China_03

I was so excited that I made this iPhone video at the top of the carpet, still on a high from the walk.

They also had these models wearing dresses made of photographs, walk the carpet the opposite direction.BryCox_PhotoBeijing2015_China_04 BryCox_PhotoBeijing2015_China_05

At the top of the carpet, there were welcomes and speeches from government and photographic dignitaries.BryCox_PhotoBeijing2015_China_06 BryCox_PhotoBeijing2015_China_07

And I had to get a photo with me with my friend Bing, who invited me over to China, and who I got to know years ago when I first went to China to speak in 2009. Her father is one of the most well-known photographers in China and was in charge of the event.BryCox_PhotoBeijing2015_China_08

After the red carpet ceremony, we were taken to a television theater and asked to sit on the front row for another opening ceremony event, this time we were entertained by amazing local dancers and singers. Again, this was all filmed by cameras from CCTV, which continually cut to cameras on us. Sometimes, the cameras were awkwardly close to my face, so close I couldn’t see over them to see the dancers.
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All of these images I’m posting were shot with my small Lumix point-and-shoot camera, which I love for it’s manual controls, retro look, and very small size. It was the best camera to take on a trip like this, giving me both control as well as a very small size and weight.BryCox_PhotoBeijing2015_China_11

The next day, me and the other speakers were part of a roundtable discussion. I was the only one from the US, and other countries represented included Bangladesh, Malta, France, Germany, UK, Indonesia, and many others. We all wore headphones with receivers capable of receiving various channels of audio from the translators. It was incredibly interesting to see so many people with so many backgrounds and languages, all connected by photography.BryCox_PhotoBeijing2015_China_12

Somehow when my name was translated from English to Chinese and back into English, it came out as “Bry Cox’s Bio.” So a few times throughout the event I saw my name written this way.
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I was also given some translators at this event, local college student volunteers that followed me around everywhere and made my life easier.BryCox_PhotoBeijing2015_China_14

When they asked if I’d come speak on photographer Vivian Maier, I had no idea how big of an event it would be. They had beautiful signs like this printed around town inviting the public to an exhibition of original prints shipped from New York.BryCox_PhotoBeijing2015_China_15

And here I am at the exhibition after I was done with my work and meetings, wearing more relaxed clothes. It was an incredible show. They had 50 original images on display, and they had made wall paper based on her negatives. It was all quite beautiful.BryCox_PhotoBeijing2015_China_16

Before this, I had only seen Vivian’s images in books. It was quite an experience to see them up close and in person, looking at real silver halide prints. The detail that close was incredible and the images were even more beautiful and inspiring.
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Of course in Beijing I went on some photo walks where I did some of my own street portraits that I’ll share in my next post, images like this cute little boy driving his motorized trike through the busy streets of Beijing.BryCox_PhotoBeijing2015_China_18

And later in Mongolia I was presented with custom made traditional clothing in a ceremony which I’ll get to in a later post. And while there, my hosts took me to photograph a Mongolian primary school where kids wrote in calligraphy with giant brushes, to a Buddhist temple at sunrise, and to a local farming village where the residents put on a parade for us. During all of this I created some photos that I’m really excited about, and I’ll share them in the next posts.BryCox_PhotoBeijing2015_China_19

So until next time, America.

The Story Behind My Birthday Portrait, And Our Love/Hate Relationship With Photos

I just had a birthday and like all of us, it reminds me that I’m getting older, I look different – and that’s usually reason enough for people to not get new portraits. In fact photographers don’t like being in front of the camera any more than anyone else. Everyone has the same excuses to put off professional photos: it feels vain, I’ll do it later, I’m getting older, I don’t have time…

No One Likes Being In Front of the Camera

Being a photographer for so many years, I’ve found that actually no one likes being in front of the camera. My clients constantly tell me how much they worry about their upcoming shoots, moms put off family shoots because they worry about how they look, high school seniors fear their shyness or other weaknesses might show, beautiful models are more critical of themselves that you can even imagine, and even famous VIP clients confide in me about their various concerns.

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My biggest job as a photographer is to help my clients feel comfortable and to bring out their real emotion in a portrait. I don’t want fake looks, I want real expression that I can light in an exquisite way. That’s why I say my specialty is exquisite lighting and emotion – you need both for a fantastic portrait. And because I believe that my clients should get regular portraits, I too try to create regular professional portraits of myself. I personally use these for my website, for magazine articles I write, and for when I go speak at conventions to train photographers. Sure I could do what a lot of people do and send a 10-year-old photo, but I really dislike when I see others do that. It looks unprofessional and is says that you’re embarrassed with yourself now and that you deep down really wished that you looked like you did back then.

That’s unhealthy. We should be happy with ourselves right now. But we’re bombarded with ads, creams, and magic serums telling us that we shouldn’t be happy with ourselves. The old hippie mantra was, “Don’t trust anyone over 30,” as if to say that our elders are stupid, life experience made you wrong, and that youth was the answer. And decades later the media is full of pop musicians, models, tv shows, and movies all staking a claim on “youth.”

So what’s wrong with being the age we are? What’s wrong with lines and wrinkles that we earned? What’s with Hollywood actors always pretending to be characters 15 years younger than they are, like 40 year olds saying they’re 25, or 30 year olds pretending to be high school teens with silly haircuts?

The truth is that in a few years we’ll look back to how we look now and think how great we looked, meaning we should enjoy how we look now.

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Our Ancestors Valued Portraits

It wasn’t too long ago when our ancestors would scrimp and save to get one or two great professional portraits in a lifetime. These would be professionally printed physical heirlooms that would be passed down through generations and people would fight over who got to inherit great-grandpa’s portrait. Even today we run into burning buildings to save important photos and family archives.

But lately we’ve moved into an era of digital-snapshot-proliferation, where every device is a camera, no image is very good, few images are printed well if even printed at all, and we’re overwhelmed online with bad, egocentric selfies – often from the exact same angle and with the same annoying cocked-head and unattractive pouty duck-face. All this makes people worry that a professional portrait means that “we’re in love with ourselves,” which isn’t true at all.

Plus add all the new untrained photographers flooding our feeds with sub-par, over-retouched, washed out, puffy-eyed, “natural-light” photos that are to some young people becoming the new norm – just like the awful sound of Auto-Tune in trendy pop music which is indicative of bad signing.

I care about this industry. And despite the devaluation of photos is some areas, I still believe in the actual importance of a good, well-made professional portrait, and that it’s good for the soul.

A Good Professional Portrait IS Good for the Soul

What Are We Passing on to Our Children? How many times do we wish we had a better portrait of someone that we loved but lost? Maybe it was a relative that passed away or maybe it was someone we cared about that is no longer in our lives. When we get portraits done, it’s often for our closest loved ones.

But a great portrait isn’t just valuable later and to other people, it’s good for us right now. A good portrait that is well lit and masterfully retouched and void of all the artificial rubbery-skin looks, is good for the soul. It’s good for your own self-worth.

Testimonials From Mothers and Single Women

I could share countless stories from mothers who’ve told me that the portraits I did for their high school senior child changed how they felt about themselves. Girls walked taller and boys found more confidence because I portrayed them in ways they couldn’t see before in themselves. I can tell you stories of older women that have gotten married and thanked me for the attention they got on Facebook and dating sites.

I’ve photographed children in foster care who avoided eye contact and smiling, kids sometimes with severe issues of self-worth that have never had a good portrait of themselves, that later get soggy eyes when they see their finished, framed image on display. You can see the gears turning in their head as they come to terms with the fact that they are perceived differently than they see themselves internally, and they’ll say, “That’s me?! …….That’s Me!!”

And moms have given me big hugs after I hung their family wall portraits in their home, because they are so stunned at how great they look surrounded by their closest loved ones. It’s a big change from before the shoot when they are stressed about their hips, their clothes and countless other things.

A well-made portrait is good for the soul. Why? Think of the all-to-common alternative. How do you feel about yourself when your so-called “professional” picture is only deemed viewable by the public after your “photographer” has over-retouched you until you have a plastic, pore-less, rubber face? Or when they whiten your eyes so that you look like a weird alien that is going to shoot lasers out of your eyes and start fires, or when they “liquify” and bend your body to change your boobs or arm shape? What does that say about you? How do you feel when you look at it, knowing that it isn’t you at all?

Come in to my studio and get a real professional portrait that you absolutely love. I’m a Master Photographer and use specific lighting techniques that will accentuate the right things and hide the things you worry about. You’ll be amazed at how great you look before I do any retouching. I want you to have regular portraits from throughout your life that you love, and that your future children and grandchildren will fight over when we’re all dead and gone.

My 2015 Birthday Portrait

And because I believe so strongly in portraits, I make myself get portraits regularly. It’s not always fun at first, but I’m always grateful afterwards.

So this last week I set up my studio for the lighting I envisioned. Being an older guy I wanted an aggressive angle that would accentuate wrinkles and skin texture, not hide it. And being fall outside, I shot myself in the clothes I happen to be wearing, including my Black Rapid snow cap (a gift from the owner of Black Rapid from earlier in the year). I was wearing the cap just prior and opted to just leave it on because I thought it was different than my past photos, and I was also being lazy, knowing that I didn’t want to comb my hair or overthink the shoot too much.

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I shot about a dozen images because I can’t see exactly how the light is working when I’m not behind the camera, I have to imagine it. So I shot a few more than I thought I’d need and from those I narrowed it down to these two as my favorites. I think they’ll work well with my new website that I’m working on, but more than that I’m really happy with the photos and am excited to use them, as we all should be with professional photos.

So if you’re in need of some great new portraits (and I know you are) either of yourself or your family, let’s get them done now for Christmas, and beat the Christmas rush. Call me at 801-728-3317.

And until next time, America.

Lindsey’s Wedding Album at the Salt Lake Temple

I’ve been so busy I haven’t had a chance to get this on my blog, but I’ve been excited to do so because the final album is so gorgeous. I even shot a video so that you all could see it properly, page by page. And this video leads off the last video in my last blog post where I talk about what’s different about by wedding albums and photographic approach. So here’s Lindsey’s album.

I posted about this wedding briefly when I first shot it, sharing a sneak peek, but wanted you to see the entire album. These guys look so good together, and Lindsey’s dress is quite stunning on her, as you can see from these album page design spreads.

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This wedding was on a very hot day, over 100º at the Salt Lake Temple. Most photographers today can’t shoot in direct or hot sunlight without getting white skies or dark eyes. But compare that common look to these images with the right lighting approach, it made for very dramatic skies and punchy colors and the couple always looks amazing. But they are a great looking couple and had great chemistry that day.
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And I love these twilight images too, just as the sun was setting. Wow!BryCox_Lindsays_SLTWedding04

If you are getting married and want the best possible romantic and beautifully lit photographs possible, give me a call at 801-728-3317 and let’s talk more about your dream day.

Until next time, America.

Liz & Dewayne’s Wedding Album

I’m really excited to share the finished wedding album for Liz & Dewayne’s wedding. I love being a part of weddings and producing these awesome albums for couples and find fulfillment in seeing how all of the work comes together in these gorgeous products. I shot a video of me going through the book page by page. I talked about my approach to photographing weddings and how my offerings are different and unique. Then at the 4:45 minute mark I share each page of Liz and Dewayne’s album. I uploaded a full HD version of the video so you could watch it with clarity and with more detail full-screen if you’re so inclined.

Liz and Dewayne are a great couple to work with and their previous shoots that I’ve posted to my blog and Facebook have created a huge response, so aside from my own excitement, I know there are a lot of people who want to see their final book.   Here are some of the double-page spreads from their album.

BryCox_Dewayne-1 BryCox_Dewayne-2 BryCox_Dewayne-4BryCox_Dewayne-3 Their wedding was held at the beautiful La Jardin wedding center in Sandy, Utah just outside the metro Salt Lake City area. If you’d like to see Liz and Dewayne’s previous shoots, both their pre-wedding images and their engagements are here on my blog.

If you are getting married and want the best possible romantic and beautifully lit photographs possible, give me a call at 801-728-3317 and let’s talk more about your dream day.

Until next time, America.

Radio Personalities of Radio Station Z104 Country

We had a great time in the studio again during the shoot with the radio personalities of Z104 Country, Dave and Deb, CJ, and Gentleman Jim. And as this first image shows, Dave and Deb are a hoot together. We’ve done a number of shoots together over the years, and this shoot was just as much fun as the ones before. As soon as they arrived at the studio, the laughing started. And we created some really fun images for their billboards, website and other promotional uses.

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Going through our favorites, this one made us laugh each time we saw it. It was obvious that we’d be using it for either a billboard or some other commercial design. And of course we have a mix of different looks and outfits too.
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Great commercial images are always important for businesses, but radio stations especially need impactful and professional images of their DJs.Cox_DaveDeb_Aug2015-173 Cox_DaveDeb_Aug2015-191 Cox_DaveDeb_Aug2015-215 Cox_DaveDeb_Aug2015-269

Some of these are already up on Z104’s website and Facebook page. But if you live in Salt Lake City, keep your eye out for new billboards too. I’m excited to see all the ways they use these photos.

If you’re a business in need of some great commercial images, give me a call at 801-728-3317 and let’s collaborate and talk about your next project.

Until next time, America.

Commercial Portraits of Musician Ryan Shupe

How do you relate the visual story about a musician that plays multiple instruments, is changing up his sound, while matching the album title, We Rode On? Creative commercial portraits that tell a story are some of the most challenging and fun images to create. That’s why I love photographing musicians, they appreciate and want these types of dramatic images, understand the time and work that goes into creating them, and these images get used in print and promotion for some time. They need to be powerful, professional, eye-catching, while telling the story of the musician.

Ryan Shupe has been a long-time friend, and I have done his professional photography for so many years, that it’s crazy to think about all of the shoots we’ve done and all changes that have happened in both the photography and music industries over the years. But Ryan has also helped me push my creative boundaries to continually create new and innovative images that have visual impact and commercial appeal, and this latest photo shoot is for his new album, We Rode On, is no different.

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For more information on Ryan Shupe and his new album, visit his website at RyanShupe.com and If you’re a musician and need some killer photographs that you can use for posters, CDs, media, and web use, give me a call at 801-728-3317.

And until next time, America.

Underwater Snorkel SeaView 180º, Products Photos for WildHorn Outfitters

With more and more people avoiding crowds and doing their shopping online, how professional your products and company look online is key. Those images affect people’s perception of your quality and professionalism. Because of that and my skill in lighting, I’m regularly asked to produce images for companies large and small that want a strong online presence. I don’t post about these shoots very often because I’m normally sharing photographs of people (families, kids, and weddings), but today I thought I’d share some recent commercial images I created of the SeaView 180º Full Face Snorkel Mask for Wildhorn Outfitters.

Products are always difficult to shoot well, but the challenge to create something visually simple that tells the story of the item is a fun problem to conquer. These photos come from tedious and long shoots in order to get every light, angle, and product positioned perfectly. I’m really happy with how these turned out and am excited to share them with you.

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This particular product was really interesting to me, and I needed to show the design of the mask so that a viewer would be able to tell how it works immediately. So for the first introductory shot, I chose an angled side view with the mask and straps all suspended. And with three color options, I needed to create three exact versions in each color. BryCox_Seaview180_02

Once you see how the mask works, this next image gives you a straight on view. However if you hadn’t seen the first image, this image might be confusing. But mixed with the other image it helps you understand even more how the mask looks.
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Next, showing the packaging together with the mask shows the added value of a bag, plus it helps people know how they will carry their mask around the beach while keeping it safe from scratches.

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And finally I combined two ideas into this final shot, this shows both the back view as well as how the mask comes apart for storage. In a few simple photographs, the entire story of the product is presented. Multiple angles have been shown, the various color options, how it works and how it is carried and stored.
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For more information on these masks or to get some, visit http://www.wildhornoutfitters.com or Amazon. I ordered a few for myself because they looked fun to try.

If you’d like some product photos created for your company, give me a call at 801-728-3317. Let’s talk about the scope of your project and what you’d like created.

And until next time, America.

Braden & Miranda’s Early Wedding Sneak Peek St. George Utah Temple

Braden and Miranda were married last weekend in the St. George Utah LDS temple, and they had me there to create some wonderful and romantic images for them. I love shooting wedding couples. I like the happiness, the romance, and the wonderful feelings at weddings, and I really like capturing that feeling in photographs that couples will keep for decades.

This particular morning was quiet and serene, and shooting earlier in the day also helped us beat the 100º desert heat that came later in the day. I’ve loved sorting through these portraits and wanted to share a few early favorites of mine in this sneak peek.

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I created a mix of color and black and white, full-lengths, close-ups, as well as images with both a classic and modern appeal. I especially like this emotional set built as a trio.

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The St. George Utah temple is set in a desert climate, and the stark white building with the direct desert sun makes for a great contrast against the blue sky. It’s a wonderful background for these romantic couple portraits.
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And this sequence of Braden “helping” with Miranda’s sunglasses made makes me laugh.
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If you’re getting married, give me a call at 801-728-3317. I’d love to create something artistic and romantic for you.

Photographs are the one thing we spend money on from a wedding that lasts. They are enjoyed by us, our children and future generations. Avoid the regrets of cheaper options and let me create something powerful and beautiful for you on your special day. I have price options ranging from partial coverage with an emphasis on romantic images to full-day coverage with multiple locations where I follow you throughout your day and tell your story in magnificent custom books. No matter your level, you’ll know you have images that you love now and for years to come.

Until next time, America.

Angie’s Family Portraits & Painting

Family portraits are important and meaningful, especially when children are young because they change so fast. It’s wonderful to be able to have a custom art piece on the wall that you can enjoy, not only right now, but also in 20 years.

And for my clients that are looking for something completely different, I offer my special line of painted family portraits. This is not some quick filter or effect. Instead I individually paint each image from scratch using a photograph that I create during your portrait session. It’s a lengthy creative process, but I created this sped up video so that you can see it come to life in a short 15 second time-lapse video.

That finished painting is now hanging as a beautiful canvas in their home. During the creation as I was photographing the family, their dog ran around behind them, came around the side and looked up at them. For one split second everything was perfect, and I quickly got that shot. Everyone is looking at each other and interacting including their beloved dog that really wanted to be a part of the moment.

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With summer ending, this is the last great time to photograph families that want outdoor images. The studio gardens look amazing right now, and the colors are green and lush. We can do a variety of family options and groupings for a lot of choices. And though no one likes to think about Christmas early, the weather is starting to get cooler which means outdoor options will become limited, plus we only have about 14 Saturdays left to get things by Christmas. BryCox_Angie-Family-02

Besides family groups, it’s always nice to get an updated couple portrait. I’m amazed how many couples I photograph admit that they have not had a professional couple portrait since their wedding. Let’s fix that and get you something you can put on your desk at work or display around your home.BryCox_Angie-Family-03

Here at my Utah studio, we can shoot outdoors and indoors during the same appointment. For Angie’s family, we went in the studio for some fun, high-contrast black and whites of individuals that could be displayed as a series of squares going up the stairs.BryCox_Angie-Family-04 BryCox_Angie-Family-05 BryCox_Angie-Family-06

And those squares worked really well as this framed trio too.BryCox_Angie-Family-07

Let’s get some great portraits of your family inside the studio and outdoors in the gardens while the weather is still nice. Now is the perfect time to get in and beat the Christmas rush of fall.

Give me a call at 801-728-3317 and until next time, America.

Karen’s Beautiful Rainy Day Family Portraits

I recently posted on Facebook about installing this large 7×4 foot portrait, and included with a few images of me hanging it. I received a bigger response than usual, 260+ likes, 30+ comments, and private messages from people asking how I did it. So I thought it’d make a great blog post.

Here I am hanging the portrait with a couple large Little Giant ladders that still were’t quite tall enough.

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Bry Cox hanging a beautiful 7’x4′ family portrait in this beautiful home. The size of a photograph should fit the space properly.

And here is the portrait so you can see the details better. This family had grown quite a bit with married kids and lots of cute new grandkids. So when they hired me, they wanted to make sure that they could see everyone’s faces and could enjoy the image from the given viewing distance of the room.

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The day of the shoot was cold and rainy but I still wanted to create the image outside. Yes, they have a large home and we could have set up in a room somewhere, or I could have even set up a studio in their gym, but I always emphasize my specialty of lighting and emotion, and I knew I could create something with more drama outside in front of their home. And yes, we could have rescheduled for a pretty, sunny day, but I don’t like to reschedule for lots of reasons.

One, many times like this, it’s the only day when family is all in town. Two, sometimes rescheduling means the portrait is never created. And three, rain makes for really beautiful and saturated colors when custom lighting is handled the right way. Plus after 20+ years of creating photographs full time for clients I know that I can work within the cycles of a rain storm as it goes from a big downpour to a slow drizzle to hard rain again.

The trick is to be all set and shoot quickly when the rain slows down so that I’m done before the next wave of hard rain comes again. And that’s what I did. While the family waited in the warmth inside, I set up my lights and camera and had everything metered and ready to go. I kept everything covered until we had a lull in the storm, and then had everyone come outside and we began working.

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Storm or not, I pose and position people quickly and in natural stances, then I play with the kids with a puppet routine that I’ve worked up over the years. I love it when even the tiniest kids, babies really that can’t even talk are laughing at my puppet show because they know it’s funny.

I started with the largest family group, and moved quickly to individual family groups. I only shoot about 3-5 images per family because I don’t want to wear people out, or exhaust the natural smiles of the children. And on this night we had other reasons to hurry as the rain was starting to get heavy again.
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Besides the biggest group I was able to get two other families groups shot before the rain hit hard again, so I moved under the awning that can be seen in the earlier groups. Again, I wanted to stay outside so that all of the family groups would have a uniform look, color scheme, feel, and lighting style. I want them all to look good when hung together and not look like different shoots. So working under the awning was perfect because the clients were able to stay dry (even though I was standing in the rain), and we were able to finish the session so that everything matched and looked beautiful.

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I love that this little baby is laughing. In the big family group, she was the kid laughing the loudest at my silly puppet routine.
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At some point, no matter how fast you work, kids are spent. They only have so much energy for photos, but it’s still fun to try and get a grandkids photo, even if some are crying. We did one under the awning and then went inside to the fireplace and did one big casual group of the entire family.
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Here is a view of their finished portrait in their home. The most common concern with families is getting your portrait too big or too small for where it is hanging. You want to be able to see faces and it is hard to imagine sizes when looking at a price menu. That is why I preview your order on a projector so that you can see your exact image at the exact size you’d like it. And if you know you’re getting over a certain size, I’ll come to your home and will help measure walls so that we get it absolutely perfect. And yes, I’ll even come hang it for you too.

© BryCox.com, Bry Cox
Bry Cox hanging a family portrait. Notice how the size works so well with everything.

Summer is ending and this is a great time to photograph your family. It’s always hard because schedules are crazy, and right now kids are going back to school. But winter is even harder and right now it’s still warm and pretty outside. Give me a call at 801-728-3317 and let’s create something amazing for you.

Until next time, America.

Concert Pics from Ryan Shupe & the RubberBand Show

I recently shot concert photographs for Ryan Shupe and the RubberBand, and here are some of my favorites.

Concerts are a fun and creative challenge for me photographically. My specialty is lighting, and I don’t like creating normal images. I want images that pop emotionally and artistically, and that means controlling the lighting. But during a concert I can’t use custom lighting techniques and set up a portable studio on location like I might with other type shoots. Instead I have to use the stage lights which are always changing. Making that work means understanding what’s happening with the light and the show, and moving to make it all work from the right angles.

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If you need some images for your business, give me a call. 801-728-3317. I’d love to create something great for you.