workshop

Shooting Model & Seniors in Washington (Evergreen Workshop part II)

Usually I only get to post the images I create. At this event, one of the photographers in attendance, Joanne Murray took a number of images of me working and was kind enough to provided them to me. I really appreciate that and am posting them here so that you can see another view of this workshop.

Having so many out-of-town jobs in a row, I was sporting a trip beard.

If you compare these images of me working to the previous post of finished portraits, you can see how I created the images. this one below was one that I featured on the last post. I wanted a unique angle and balanced on the tip of the bench, then held my light out at the right angle with one hand and photographed her with the other hand.

Here we are after dinner, setting up for the night shoot.

Here’s me using a reflector to help control the natural light.

You should see the image I created here too in the previous post. what you can barely see here is that the flash I’m using is off to the side. I don’t like using just pure natural light, as it is never coming in at the correct direction that I need it. I always need to correct it somewhat to get a spectacular image.

And finally, Joanne was kind enough to be my ride and escort from Seattle to Port Townsend. We had a long and lovely drive that included a ferry ride. Here is one of her images of me on the ferry.

If you’re looking to attend one of my photographic workshops, please check out my workshop site, at BryCoxWORKSHOPS.com. There are new events being announced all the time. I hope to see you at one soon.

Until next time, America! 🙂

 

Shooting Model & Seniors in Washington (Evergreen Workshop part I)

I taught a weeklong photographic workshop called ‘Evergreen’ outside of Seattle in a small town called Port Townsend. Here are some of the images from that event.

Usually as I travel and move, I create images — it’s like a part of my brain that doesn’t turn off. I see abstract shapes in everything around me.

For a while now, I’ve created some of these images on my iPhone because it makes it extra fun. You see, the iPhone in its simplicity, doesn’t have any exposure controls, so so I have to think around its limitations. That particular method of thought makes me think differently and I tend to create different images than I normally would.

While teaching, I demonstrate various types of equipment and techniques. All of these image were created in front of the group, from the initial creation, to the workflow and the final retouching.

We also used a minimal amount of equipment, staying as mobile as possible, and used backgrounds and locations right there within walking distance. When I’m shooting at a workshop, I specifically like to focus on teaching three things:

1) Make the most of what you’ve got. For instance, instead of wondering if there’s a better place nearby, instead ask yourself how you can make a particular area work as a cool background?

2) We don’t want just good images, we want to create fantastic images that have punch and emotion.

3) We want all the work to be done in camera so that we don’t have to fix anything later. The images should be perfectly exposed, have the perfect color balance, have a strong emotion and believable expression, and be lit with control from the right angles. That way anything we do to the image later will be for fun instead of to fix it.

Most of these images have very little work done to them, and what work was done was done quickly in front of the class using special techniques and some of my specific products. In fact, using these techniques it seems that it actually takes more time to pick favorites than it does to finish them up.

So these girls told us that a lot of local photographers use the area for senior shoots, so we really wanted to create unique images, find cool nooks, and use the area in new ways.

I think you can tell that the shoot was a lot of fun for everyone.

Hopefully you can see that we really created a lot of variety, and used all sorts of areas to our advantage. We wanted to create a lot of different looks as quickly as possible, and make something wonderful from each spot.

That night after dinner, we invited the girls to come meet us in town for some night shooting. Instead of the normal dark or flat images that are typical at night, instead I showed how to create depth and how to get perfect exposures while working with various off-camera flashes.

The challenge here was to show that no situation is difficult when we really understand light. Below, is a mulit-light setup using a streetlight for interest. I angled her so that the wind was working with her hair, and I really like how these turned out.

And finally we took our model Lane, out on the pier, looking out towards the water. The first image is a photograph, and the second is a painting that I created from another photograph in the series.

If you’re looking to attend one ofmy photographic workshops, please check out my workshop site, at BryCoxWORKSHOPS.com. There are new ones being announced all the time. I hope to see you at one soon.

Until next time, America! 🙂

New Hampshire Shoot

I recently got back from speaking on the East Coast in New Hampshire. While teaching, I demonstrated some various techniques on making women look great in photographs. Here are some of the images I created that day.

These images don’t have any finishing touches on them yet, and that’s because I was showing that they should look great right out of the camera. Any final enhancements later should only be slight as the images should be ready to print without them if you did everything correctly.

Some people think that great images come from having a good camera. That’s like saying  good songs are only written on good guitars when the truth is it’s the artist using the camera or guitar. Any good musician can write a great song on any guitar, and any great photographer can create great images on any camera.

Another misnomer is that that great images come from having beautiful models. This is also incorrect. A great photographer understands exactly how to make everyone look better and an average photographer will make even the prettiest person look worse.

I love teaching workshops because I really like helping photographers do better, plus it helps to raise the level of quality in the industry.

 

In New Hampshire, I was teaching how to create great images with any camera, and how to make all women look better using specific lighting and posing.

Here are two portraits of the same pretty girl in the same beautiful location. I shot her two different ways to show that a camera in the right hands will make her look better, and in the wrong hands she will look worse. Look at the two images and see if you can see all the differences.

In the first image, I used custom lighting and posed her specifically in a way that would be more flattering for her and her outfit. I took control of all aspects of the exposure which means her skin tones have great color right out of the camera. I separated her from the background and sculpted her using directional light at particular angles. Everything was set up and shot manually, nothing left to chance or to Auto functions.

Then I did another image of her the way most photographers would, with no specific poses, no control of light, and shooting the camera on Auto.

Notice how flat this second image looks. Her skin tones are green, the light on her face is coming from the sky rather than from any controllable or directional source, her eyes are dark, the background is too light, and the wrong camera angle and lack of posing and lighting make her look thicker. Again, NO woman wants to look thicker or heavier, and fixing it later on the computer isn’t the same as shooting it right.

This is why most photographers shoot so many images – they hope that with the law of averages they’ll get something decent that they can then spend tons of time on the computer fixing and covering with various effects.

This is why you need to hire a really good photographer with credentials – and why photographers need to get continual hands-on training from Master photographers.

So with a change of clothes, I continued to teach and shoot this model, walking around the town, making sure that each pose and lighting set up made her look great.

We ended up at this cool bridge which gave me some cool leading lines.

Well, if you’d like some great portraits, I know just how to make you look great, plus now is the perfect time if you like the fall leaves. Give me a call and book your appointment at 801-728-3317 and lets create something amazing for your wall.

Vegas Images & WPPI Assignments

I was recently asked by GraphiStudio to photograph the big portrait conference in Vegas called WPPI. The project is called “Day in the Life of WPPI,” and the images will go in a book as well as an upcoming edition of Rangefinder Magazine. While doing that I created my favorite image of the project, this image collage of images from the strip.

I wanted to show the feeling of Vegas, so went driving shooting out the window with this collage in mind. The final results were better than I imagined.

I also shot some images driving with my iPhone too (below) which I like for their abstract feel.

And I also shot the strip with a time-lapse camera strapped to the side of my vehicle. Afterwards I took those images, and created this time-lapse video.

Though my main job was photographing particular speakers and events through the program, I really tried to show the feel of the event with panoramas like this group below,

and this pano showing the taking down of the tradeshow.

While working there, I was also asked to join a contest for the MGM advertising, and so I also created these images while there, both exteriors and interiors of the MGM, Signature, and spa. Knowing that the MGM has their own staff photographer on hand, I decided to give them something quite different using tilt lenses and controlled blurs. I wanted them to be more abstract, capturing the “feel” of the place rather than being just a photo of the place.

I really like these of the spa, using multiple reflections to get this first image.

Here are some shots of the rooms at the Signature.

And for fun, I also shot a street scene looking out one of the windows of the Signature hotel rooms so that I could later add myself to the shot in post production. This is the final result.

Do you have a business or an event that you’d like photographed in an artistic and pleasing way? Give me a call. Plus now is a great time to set up your Spring appointment for families or high school seniors. Give me a call at 801-728-3317 to schedule a time. And feel free to browse my main website at BryCox.com.

Come on an AMAZING Photo Tour of Iceland, July 15-21, 2012!

Come get Lost in Iceland, and have the adventure of a lifetime!

“Ice-Land” is Actually Very LUSH! Iceland is fantastically beautiful and was named “Ice-land” to keep people from moving there. It has kept Iceland beautiful and untouched. That means there’s amazing photography moments, just waiting there for us.

Bry Cox – Icelandic Photographic Adventure 1

This Photo Tour is Open to Anyone Looking for Adventure, Amateurs and Professionals! I will coach you to amp your inner artist while we explore the most serene places on earth. Come be a part of and create breathtaking photographs!

Led By An Elite Team of Icelandic Locals! We will travel in style with an elite team of Iceland’s best local experts and photographers who know all the nooks and crannies! We will avoid the tacky tourist traps, and focus on the beautiful hidden oases. These images were taken by this very elite team. They are fantastic photographers, scenic guides, and will do everything to this a comfortable trip for you.

Come during the warmest part, July 15-21, 2012!
For more info, visit brycox.com/iceland and
http://www.focusonnature.is/photo-workshops/bry-cox-iceland-workshop-2012/

I’d love to have you come along! This will be the adventure of a lifetime!

Speaking at Pictureline & Time Lapse Photography

This week I spoke at Pictureline in Salt Lake, for the regions largest photo trade show called DigitalFest.  Pictureline is my favorite camera store and I love them for their ability to do an amazing job at everything — their staff is wonderful and knowledgeable, they carry everything, their store is always immaculate, beautiful and clean, and their events are fantastic.  They do what others don’t and really pay attention to the details.  As an artist and a businessman, I love that!  It was an honor to be asked to speak there.

I was told that my class was the first to fill up and that they actually oversold my class.  The event went great and I loved the opportunity to help and inspire others.

But I was also inspired with some new ideas.  I stayed and watched one of the other speakers, Alex Buono who is the Director of Photography for the Saturday Night Live Film Unit.  He shoots all of their parody commercials and the opening sequences for SNL.  You would definitely know his work.

Watching Alex, I was inspired to do a time lapse photography video.  He has one he did that is now the opening sequence of SNL, and it gave me an idea.  Sunday morning, I mounted a camera to the side of my car, and created a time-lapse video of me driving to Salt Lake.  Here is the result.

If you’re a photographer and would like to attend one of my workshops, check the schedule and sign up on my email list at BryCoxWORKSHOPS.com.  And or everyone else, browse my main website, BryCox.com and my blog at BryCox.com/blog and give me a call if you need some new portraits for your business, or family.  801-728-3317.