I started out shooting the sunset, as there was about a 15 minute difference from when the sun would set and the moon would rise. I shot for HDR which means you shoot a couple exposures to capture the shadow and highlight details and then sandwich the images together in one image, but ended up just using single exposures as my final images as I feel they look much more natural and esthetically pleasing. Here’s a pano looking west to the sunset.

During twilight, I created some long 30 second exposures of the ground and scenery around me. I really love the next two images and the blue in them.

I especially love the direction of light and the high horizon in this one below.

I was using an iPhone app which pointed to where the moon would rise. I waited for it to peak above the clouds and began to shoot. I really like this image. Everything is so blue.

I pulled back for another image, showing more foreground. I could have digitally enhanced and lightened the grass and foreground, but I prefer it like it is, feeling dark and cool like night.

I zoomed in to capture the moon, but by now it was climbing fast.

The higher moon gave me a bit more light to work with, and I took one more with a lot of foreground and a high horizon, hyper-focal focusing to get as much in sharp detail as possible, especially for such a long exposure.

I really like how these turned out, but nevertheless it was just fun to be outside and enjoying the cool night, looking at the moon. I also created a few images on my iPhone just for fun. Here’s when I first arrived…

My camera and the moon while creating the last image above…

Some weeds against the night sky. I shot this while walking back to my vehicle…

And one more of weeds that I sent from my iPhone to my iPad using PhotoStream, then edited on my iPad to create a pseudo painting. I really like the colors in this a lot.

Well, that was my Big Moon Adventure. If you love photography like I do, and you understand the value of a great image that can stand the test of time, then give me a call. Now is a great time to set up your Spring appointment for your family portrait. Give me a call at 801-728-3317 to schedule a time. And feel free to browse my main website at BryCox.com.

I wanted to show the feeling of Vegas, so went driving shooting out the window with this collage in mind. The final results were better than I imagined.

I also shot some images driving with my iPhone too (below) which I like for their abstract feel.

Though my main job was photographing particular speakers and events through the program, I really tried to show the feel of the event with panoramas like this group below,

and this pano showing the taking down of the tradeshow.

While working there, I was also asked to join a contest for the MGM advertising, and so I also created these images while there, both exteriors and interiors of the MGM, Signature, and spa. Knowing that the MGM has their own staff photographer on hand, I decided to give them something quite different using tilt lenses and controlled blurs. I wanted them to be more abstract, capturing the “feel” of the place rather than being just a photo of the place.

I really like these of the spa, using multiple reflections to get this first image.

Here are some shots of the rooms at the Signature.

And for fun, I also shot a street scene looking out one of the windows of the Signature hotel rooms so that I could later add myself to the shot in post production. This is the final result.

Do you have a business or an event that you’d like photographed in an artistic and pleasing way? Give me a call. Plus now is a great time to set up your Spring appointment for families or high school seniors. Give me a call at 801-728-3317 to schedule a time. And feel free to browse my main website at BryCox.com.

Katherine is also an accomplished singer/songwriter, winning all sorts of awards for both her solo work as well the work she’s done with various groups like the Nashville Tribute Band and Kenneth Cope.

For this project, she had a specific need and concept, so I chose one of my secret locations that matched what she wanted to create.

I set up all sorts of lighting equipment imaginable to take control of the scene. Lighting this scene was difficult, but it needed to be specific and controlled in order to create images that pop, while still being real and natural. The results are phenomenal! I was especially excited that a storm had gone through earlier, giving us great storm clouds to work with. I love a sky with drama!

Katherine is a fantastic model and a joy to be around. I find her easy to photograph, easy to direct, and she really had great expression. She even did her own styling and created her own clothing, accoutrements and flag for the shoot. It all worked together so well. I flipped out when I initially  saw her and the details of her outfit. It was all so perfect. I especially love her red skirt against the green grass.

We really had a fun time at this shoot. Looking back over it, two of our initial favorites were the image above and below. I love the sun shining through the clouds in the photograph above, and in the image below, the flag blowing against the awesome storm clouds with a little bit of blue peaking through, really makes this sing!

And this next portrait below is one of my all-time favorites from the entire shoot. I love the stance, the directional lighting on Katherine, and the color harmony with the dominant blue sky. The clouds have wispy pink highlights painted by the sun that has now set. This image is at twilight, and has such depth! I actually put this up on my website’s main splash page today, cropped square.

We were having so much fun that even after the sun set completely, I continued to shoot and create in the dark, using all artificial light. However I did it in such a way that it looks like real sunlight. The scene in these next images was actually dark to the eye at the time, but with the right techniques the scene glows and feels like sunset.

Then to end the shoot, I finished up with some close-ups, again with all artificial light because the sun had set at this point. The idea was to create a fake sunset but with the control of darkness, and these images are some of my favorites! (That’s one of my lights as a fake sun in the image below because it’s actually dark outside.)

You really need to see the entire shoot, but there’s not room enough on the blog, so I created a slideshow set to music. Start it up and enjoy.

It seems funny, but anytime I post a shoot like this, I get a lot of emails and phone calls asking where my images were taken. When I suggest that they hire me and I’ll photograph them there, some will admit that they just want to go to the same spot with a cheaper photographer – as if my locations are what yield great results. This is of course untrue.

Being in a great location with the right gear and a beautiful model certainly doesn’t hurt, but the real key to creating great photographs (whether it be outdoors, in sunlight, at twilight, sunset, or even after the sun has gone down) is specific control of lighting. And lighting people specifically and artistically is my unique skill.

I sometimes point to my list of awards and credentials, not to brag, but to show that when you hire ME, you’ll get something completely unique and personal, you’ll get phenomenal photography.

No matter who you are, I will make you look great, real, and natural, and generations from now people will still love your portraits and appreciate your purchase.

Now is a great time to set up your Spring appointment. I’m sure it’s time for a new family portrait, and high school seniors are getting ready to graduate. Give me a call at 801-728-3317 to schedule a time. And feel free to browse my main website at BryCox.com.

Kendra not only sings, but also plays many instruments: piano, banjo, violin.  She performed with the Utah Symphony at age 6, was the Assistant Executive Director of Utah’s Stadium of Fire show, toured with David Archuleta (of American Idol fame), is a constant studio musician, while at the same time composing in her MIDI studio. She needs great images to match her talent.

I love how these all turned out. Kendra was such a stunning model. The images are sexy and classy, elegant and edgy, feminine and stunning! It was hard to narrow the shoot down to my favorite portraits.

I really love the stacking of warm tones in these too. They came together so well, and were created here at my studio where I have the ultimate control over the light.

We did also did some casual images as well, and this one with her tossing her hair was one of my favorites!

If you are in need of some new portraits for your business, portfolio, or anything else, and you require images of high quality to match the look of what you do, then give me a call at 801-728-3317. Spring is a great time to make your dream portrait happen! And browse my main website if you’re new to my work, BryCox.com.

“Ice-Land” is Actually Very LUSH! Iceland is fantastically beautiful and was named “Ice-land” to keep people from moving there. It has kept Iceland beautiful and untouched. That means there’s amazing photography moments, just waiting there for us.

Bry Cox - Icelandic Photographic Adventure 1

This Photo Tour is Open to Anyone Looking for Adventure, Amateurs and Professionals! I will coach you to amp your inner artist while we explore the most serene places on earth. Come be a part of and create breathtaking photographs!

Led By An Elite Team of Icelandic Locals! We will travel in style with an elite team of Iceland’s best local experts and photographers who know all the nooks and crannies! We will avoid the tacky tourist traps, and focus on the beautiful hidden oases. These images were taken by this very elite team. They are fantastic photographers, scenic guides, and will do everything to this a comfortable trip for you.

Come during the warmest part, July 15-21, 2012!
For more info, visit brycox.com/iceland and
http://www.focusonnature.is/photo-workshops/bry-cox-iceland-workshop-2012/

I’d love to have you come along! This will be the adventure of a lifetime!

This first image is so great when you look at it up close. The eyes are tack sharp and the blur in the image looks fantastic. It is all natural of course, no effects, no blurring – it’s all done in the camera. I especially like the horses position in the frame and the overall shape of his feet.

On all of these, I added my new custom edges that I’ve been working on. I really like the finished look of these images.

We had free reign of the areas that no one sees, including the back. So while walking through the back area, I photographed the stables.

As I was leaving, I photographed this tree, looking up against the sky using my Lensbaby shift lens to get a real optical blur around the edges. I love how it turned out!

If you’re in need of some really great images, whether it be some unique art for your wall or some custom family portraits, give me a call. Spring is here and it’s a great time to get in. 801-728-3317. And check out my main website too if you’re new to my work, BryCox.com.

Due to safety, I couldn’t look through the viewfinder, and had to shoot one handed off the cuff, framing in my mind. I had slung my professional point-and-shoot camera over one shoulder so that I could grab it when I needed. I set the exposure manually (which is one of the things I love about that camera) and would swing it up when needed, and swing it back down after the shot, never looking through the viewfinder. Coincidentally, I have not cropped any of these images. I love how they came out exactly. Each is perfectly cropped as it is, and I love that about them.

I have not sharpened or blurred any of these images in post production. They are as I shot them. What is sharp and what is blurry is natural and only accentuates the images for me. The vibration of the bike in the image below works great, and even zoomed in the ground is crystal clear, and perfectly sharp, in a motion blur kind-of way. I love the sharp lines that the road creates, juxtaposed against the vibration of the bike.

I decided to process out these next two as black and white and really like them. In the first, I love the swoop of the clouds filling the negative space created by the mirror and handlebars. And the mirror just barely touches the side of the image.

And this broken sign was just standing like this with awesome cirrus clouds behind it, waiting for me to drive by and capture it. It’s the kind of thing you only see in small towns or off the beaten path.

There is a small grove of trees on the west side of the freeway, and I had one shot at getting it — no turning back. As you drive by, you see each perfect row flash light at you from the end – bam, bam, bam, bam, and then it’s past. This image showing one of those rows with the blurry foreground is one of my favorites from the ride.

When you’re on a bike, you’re IN the scenery. You’re not observing it from within the confines of a car, or looking at it through some frame. You instead are really in it. You see the road beneath you, you smell the fields that you pass, you feel the warm and cold air pockets, and you look around at great scenes like this that surround you.

As I got closer to returning home, the awesome skies made up for the colder and colder weather. I was trying to beat a storm at my back and didn’t want to ride in the rain. I was getting cold enough. But storms bring great, dramatic skies, and great skies make for a great ride.

I love the lines of these clouds. This was to my far right side, almost over my shoulder.

Getting closer now, crossing the border back to Utah. You can see I’m much colder as the temperature was now about 50º, which is especially cold with the wind chill of riding through the air.

And one last one getting closer to my town.

During my ride, I listened to one of my favorite books on audio, “Zen and the Art of Motorcycle Maintenance.” A book on neither Zen Buddhism nor on mechanics,   it’s a philosophical book on a man’s search for Quality, Purpose, and the search for Values. I tend to re-read it every few years or so, and this time opted for the audio version while riding. It was the perfect book for the ride to stir my thoughts during that long solitary time.

I wrote about the same book years ago after finishing it again, and I wrote this blog post (for those who follow me regularly, you may remember it). In any case, the ride was great and I’m especially excited about the images that came from it.

If you are need of great portraits for spring, something artistic and meaningful like some updated family portraits, let me know. It’s a great time to get in. 801-728-3317.

I really like this first image, the eyes, the expression, and the diagonal line of her hair. It all works so well. And the three images below work great as a series. Every image is captivating, beautiful and real.

And here’s one in color using one of my new custom edges that I’ve been working on.  All of these were created in the studio, with specific fashion lighting specific for her. That, combined with her expression and the images really glow!

If you’re in need of some really great portraits, either for portfolio work or just for fun, give me a call. 801-728-3317. And check out my main website too if you’re new to my work, BryCox.com.

I processed these images out using some of my new b&w and toning effects as well as come of my custom made edges that I create and sell to other photographers as well as use myself.  I’m really happy with these images and how things turned out.

I feel that these images are especially interesting, and the look I’ve used just accentuates that. These images make a great series of my trip there.

It was a fun walk, but I had to hurry and move quickly through the streets so that I could catch to my flight home in time. I found it interesting how so many buildings had similar windows, stairs and textures, even though the colors where so different. The similarities really show in these b&w images.

I also walked to an old cemetery I remember finding last time I was there. I really liked this area and wished I had more time to really play and photograph the area. Nevertheless, I still created some cool images. The trick is to shoot this in such a way that you don’t show all the people walking through, or the modern buildings behind the tombs. Those things would have been very distracting in the final images.

I had to get at least one image of me, and chose to do it in an abstract way, using my shadow.

Here’s one in color. It’s the top of a pyramid shaped monument. The others I created for b&w, but this I never even tried converting it. It was meant to be in color, even though it sticks out of the series.

I love these iron gates, with the shadows they created. The lines and textures were very exciting!

So as I was walking back to my hotel to head off to my flight, I passed one last time this large abandoned office building. It’s very weird to see such a large building completely empty and I had been passing it multiple times daily while there.

I also found my name on one of the sidewalks.

And finally, I created this painting while I was there using an image I took with my iPhone while going to a vendor party one night on Bourbon street.

I’m very happy with my street images and walk-about. It was a good way to end the trip.

Last time I was in New Orleans, I focused on people I saw while walking around.  This time I focused more on textures and lines.

If you’re a photographer and would like to know more about my workshops or speaking schedule, check out my workshop website at BryCoxWORKSHOPS.com.

The line of the clouds, the angled rock in front, and the bush for balance in the bottom right corner — it all is so nice. And the detail in these images is incredible. Hopefully someday you’ll get to see them big where you can really get lost in them. I worry that small web versions just don’t do them justice.

On another day after a pretty hike up a ridge, we came across this valley at dusk. I originally shot this for black & white, but ended up liking it in color better. There was a cool wind blowing at us from this valley, and the scene was just surreal.

And here are some fun abstract vignettes taken near the first scenic. I really liked what the light was doing and thought these may work in a series of some kind. All of these images are finished with my new custom made edges that I’ve been working on too.

Soon I hope to have my online art store back up, and then I’ll offer some of these images on there. My store is down because I’ve been converting it to a new system and storefront which is taking longer than expected. But the new store should be better, more efficient and more versatile.

Would you like some new artwork for your home? Maybe some scenics like these or perhaps some new custom family portraits? Give me a call at 801-728-3317 and lets talk.

“What Should People Be Looking for in a Wedding Photographer?”

I take this subject seriously because weddings matter and photography at weddings matter. There are few buying decisions in our lives that actually can cause life-long regret, and wedding photography tops that list. You may spend a lot of money buying a bad car or even a couch that isn’t comfortable, but the problem is solved once you get rid of it and replace it.

But when it comes to wedding photographs, they can only be done once. People who have made a poor decision in this area will lament even 50 years after their wedding and will still hold regret. I’ve found that if one bride doesn’t hire me, it’s usually her regret afterwards that gets her friends to hire me. If a mother of a bride comes in with decades of regret from her own wedding, that feeling is usually enough for her daughter to spend the extra money to hire me.

The reason people worry about their wedding photography is simple, it only happens once, it can’t be re-done, and you don’t know what you’re paying for until a month or so after the wedding.

Of all the expenses of a wedding, the photography is the one thing you keep your entire life. And as people get older, their tastes change and improve and they become more educated. If their photography is faddish or sub-par, it will only get worse as the years go by and your tastes improve.

There are literally thousands of photographers in every state saying that they are professionals. Many of those lately are your friends, neighbors and relatives needing you to hire them for friendship sake and as a favor to them to help them build their portfolio. These are not photographers with credentials other than their love of photography and the fact that they are spending what seems like a lot of money to them on equipment.

Guilt of hurting a friendship or feeling the need to help build someone’s portfolio with your one and only special day are bad motivators. These should not be reasons you hire any photographer. There is a wide gamut of skill, education, abilities, and price options, but when it really comes down to it, price and quality are related very tightly in photography.

Weddings are incredibly difficult for photographers as they provide a wide range of variables, locations, lighting conditions, weather, body shapes, and people’s personalities. Despite all these, the photographer must create great images without excuse, and usually under incredibly tight time constraints.

A wedding photographer must be skilled, knowledgeable, and versatile, and at the same time creative. But these things are hard for a client to really see when they’re shopping around.

So my advice when shopping for a wedding photographer is to not trust the initial samples a photographer shows you, and that goes double for any sample images online – there isn’t enough resolution in web images to see the flaws.

You must get in and see the images first-hand in printed form as big as possible. You must meet the photographer and see how you like his/her personality. You must ask to see more samples than are shown, particularly entire weddings in album or printed form.

If they don’t have printed samples, and lots of them, spanning years and years of weddings that look wonderful, then they are too new for you to hire. They are either not making enough money yet to afford some samples and/or are too inexperienced for you to hire. You are not someone’s guinea pig for practice. You need a professional on YOUR one big day!

When you look at samples, look past the flowers, the dresses, and the things in the images, and instead look at the photography, the consistency of the images. Look to see if the bride looks thin all the way through, if she always looks good, and doesn’t look fake, plastic or “photoshop-ed.”

Also make sure to pay particular note to the sample album and how it is constructed and built. How many sample albums are there? Do they go back years? Are parts of the book coming apart?

Hopefully there are plenty of albums that span years, show all sorts of locations, lighting, and options, and despite lots of use and traffic from clients, the books should be holding up beautifully.

Keep in mind that most photographers will show their lucky shots taken on an easy day for lighting (usually called “natural light” images taken on a cloudy, overcast day). Those kind of lucky images require no real skill. They do nothing to show YOU how you will be photographed on your day in your unique lighting conditions.

So ask instead to see entire weddings in broad sunlight, or in the middle of the night outside. Ask to see entire weddings all the way through, and not just the photographer’s favorite samples.

Photographers on the cheaper end of the scale rely on their equipment and the law of averages, shooting thousands of images in hopes of getting something somewhat decent and saleable. They then cover up their images with lots of software and effects. They attempt to hide the common problems of bluish-grey skin and the dark eyes caused by bad technique, with effects like yellow tones and washed out looks.

To a new bride, these effects make images seem fun and “different,” but to the trained eye they just look bad and trendy. In fact they are not different at all, but very commonplace as almost all new photographers are doing the same thing.

A more experienced (and yes more expensive) photographer will shoot fewer images, all of which will be great, and he/she will do it under any lighting condition, and this will be done with control. The images will look great and will be powerful on their own without all the trendy effects. They will be emotional, will be hip and cool, but will also have a classic and timeless appeal.

Finally, one good way to gauge a photographer’s level of expertise is their credentials! Always ask about a photographer’s credentials and what it is that makes them “professional?”

How many years have they spent learning how to photograph people? How long have they done this as full time career? Where did they go to school and with what degree? Is this a new career or have they dedicated a large portion of their lives and their hard-earned money to continually learn and understand their profession?

You wouldn’t let someone without a license cut your hair for your big wedding day, and you shouldn’t let a photographer potentially ruin your wedding day photographs without having at least basic Certification. A bad hair cut at least grows back in a few months, but bad wedding photographs will live with you your entire life.

I believe that any photographer who calls himself or herself a professional should at least prove it by having Certification. On top of that, hopefully they’ve earned some national titles like Master and Craftsman. These titles and ranks help a prospective client know that a photographer is consistent in their skill and will do a better job. Photographers with credentials can be found under the “Find a Photographer” section of PPA.com.

You’re based out of Utah but you seem to travel all over shooting weddings. What do you think is the most important thing couples should look for in a wedding photographer …Value? Talent? Consistency? Quality? Why?

Yes, all of those. Price is always an early question, as everyone wants to save money on a wedding. But price is never the final deciding factor. Most people understand that nicer products and services must cost more, but still most people have some type of budget constraints. Yet almost everyone would still rather cut in some areas in order to have better images that they can enjoy the rest of their lives.

A photography business is not a cheap business to run when you want to produce great images. Every step of every process is expensive when done right. Some things we spend money on in life are mass-produced. Great photography is instead custom made each time for just one client.

A lot goes into each job in terms of expertise, constant training, equipment, computers/software, insurance, overhead, and the supplies that go into the final products. There are cheap ways of cutting back on all of these, but it always shows in the final images and album.

And yes, talent and consistency do play a huge factor. No ones wants to worry about how their wedding images will turn out and no one knows until after the event is all over with, how the images really did turn out. Knowing they have someone who consistently is proven to do a great job gives them peace of mind, and that makes the extra expense of travel totally worth it to them.

What are the brides-to-be and families generally asking about when they make first contact with you? Does this change as they go through the process of engagement photos, bridal photos and then during the day?

Yes, most people start off asking about price, mainly because they don’t know what to ask. But as the process moves forward, those who are really interested in the way that I work, will talk more about the things that are actually important to them like quality and style.

Interestingly, many of the people that complain most about price at first become life-long clients of mine, coming in again and again throughout the years. Once they get it, they love what I do and come in for everything. They schedule shoots of their new babies, events and other special moments, and I get to see them and their lives change over the years.

It’s especially fun to deliver wall prints to clients and see their homes already decorated throughout with canvases, collages and portraits I’ve done for them in the past.

I’ve seen research on how brides usually make decisions on a wedding photographer. After cost, how do brides evaluate your work?

Price may be the reason a bride doesn’t hire a particular photographer, but price is never the reason a bride does hire a photographer. Price may be the first thing people ask about, but both photographers and brides both say that quality and a photographer’s personality were more important than price in the decision making process.

(Continue reading part 2 of interview.)

As one of the only Master portrait photographers in Utah, I know just how to make you look amazing and real, without making you look stiff, even in candids!  I then take those beautiful images and instead of using a pre-designed, drag-and-drop album templates, or an out-of-town design house (full of people who don’t know you and weren’t at  your wedding), I instead personally design each page from scratch.  I design each page to be a vignette or mini story with impact and emotion, so that every page turn makes you say, “WOW!”

It’ll be completely unique because I also use my own edges, fleurs, and other embellishments that I personally have created.  It’ll be unlike any album you’ve ever seen.

Finally, each double-page spread is printed as one large print, avoiding a gap or seam down the middle of the page.  Each page is coated for protection, then bonded to a stiff art board.  The pages are then book-bound by artisans in Italy into your custom first-edition book.

Why go through all this trouble?  Because portraits matter!  These images and album will be an heirloom for you and your future family to enjoy.  There’s a lot of things that you can spend money on for your wedding, but only photographs will last generations.  Everything else is gone the next day.  Your photographs are an investment — they actually get more and more valuable as time goes on.  Have you ever heard of someone running into a burning house to save a couch?

So why stop at the end?  Why create great images, do a great design, but then finish it off in cheap book that won’t last?  In fact some photographers use albums that don’t even last them a year or two as a sample.  The more people look at them, the more they begin to fall apart.  Mine on the other hand look brand new, even after winning awards and traveling around the country, being handled by hundreds of people at conventions and bridal shows.  They really are built to last and look beautiful!

You even have your choice of covers, from a classic full leather (in black or other colors), to an etched photo metal cover (shown in top image).  And your wedding album will also be presented in a black briefcase for storage, carry, and protection.

When it comes to the best image creation, the best album design, and the best albums, nobody can do all three things at the level at which I’ll do them for YOU!  Come meet with me and see them first hand to see the difference for yourself.  I think you’ll find that the images, design, and workmanship will all be a perfect fit for you.

To make an appointment for a free consult, call the studio at 801-728-3317.

Then check out some entire wedding album designs here on my blog (category: Wedding Day, Albums) or on my website (click on Weddings > Albums).