Photography Workshops

Model Portraits from Teaching at ‘Texas School’ Photographic Workshop – Part 2

Once a year I speak at this big event for photographers called Texas School. It’s at the end of April and photographers from all over the US and abroad fly in to train and learn for an entire week. It’s always one of my favorite events, and part of my teaching style is to give photographers personal challenges using custom lighting while shooting models to see how they do.

And at the end of the week, we have a shootout where photographers from all classes can see quick demos from various instructors. For those demos, I was given a cool Ferrari as a backdrop, and a bunch of models that would come through every few minutes. I photographed the models very quickly shooting about 10-15 photos per model in just a few minutes using some quick lighting techniques.

It’s perfect for showing a crowd of photographers the essentials for shooting a variety of poses, using lighting to sculpt and define faces and bodies, as well as metering, white balance, and getting clients to relax in front of the camera. Behind me, you can see groups of photographers like this, shooting their own photos.

And despite crowds of people moving through my background, here are some of my favorite images I created that evening.

I love the creative challenge of working quickly with various problems to solve – like onlookers, other people walking through the background, the best angles and lighting for a model’s face and body shapes, quick posing, color, exposure, and more.

Here’s me shooting, as a behind-the-scenes image in black & white.

If you’d like some great and creative images, give me a call at 801-728-3317. I’d love to create something for you that you love.

And to see more images created during this event, including in studio, see Part 1.

Finally, if you’re a photographer and would like to attend a full weeklong workshop with me, or would like some online instruction, check out my training website for online videos and upcoming schedule at BryCoxWORKSHOPS.com.

And until next time, America.

Model Portraits from Teaching at ‘Texas School’ Photographic Workshop – Part 1

Once a year I speak at this big event for photographers called Texas School. It’s where photographers from all over the US and abroad fly in to Texas to train and learn for an entire week. It’s always one of my favorite events, and part of my teaching style is to give photographers personal challenges using custom lighting while shooting models to see how they do.

And while I’m teaching and demoing or showing various methods and procedures, I often need to photograph the models myself for a few minutes. Here are some of those images, starting with a portable studio setup and this gal in her red dress. I really like these three images individually, but also think that together they would make a great trio design too. The deep blue background really makes her eyes and dress pop.

This next young lady was a twin, and I did some images of both sisters individually and some together. But here are two of her alone, shooting with a high school senior style.

And here are these two twin sisters together, showing how much they look alike.

We had some fun with this next model, including doing some creative artwork on the backgrounds.

This next lady with the pretty eyes is a professional dancer as you may be able to tell from her natural posing. And she is also the sister of a model I photographed the year before. I thought her dress and colors were very pretty and turned out really nice on this deep blue background.

 

And finally for this model, we walked around the hotel to find locations and backdrops that would be interesting, lighting her with mobile equipment. Putting her against this green vegetation really made her red hair and dress stand out.

And we closed with some of her sitting on the hotel bar, mixing artificial light with room light to both make her stand out while also getting these bar lights to glow.

There’s a lot more I could show from this event, especially images that I shot on the run on location with some cool vehicles. I’ll pull some favorites and post some of them soon. But in the meantime, if you’re a photographer and would like to get more training on lighting and photography, check out my training site where I not only have online training videos, but a schedule where you can come to a live workshop. My training site is BryCoxWORKSHOPS.com.

And until next time, America.

Bry Cox Speaking at National Photographic Conference, ImagingUSA January 2018 in Nashville

It’s always an honor to speak at ImagingUSA. Coming up soon in January, the event will be in Nashville. Photographers come from all over America and even from other countries too to learn and be a part of the biggest photographic convention in the country. Over 10,000 people will be in attendance.

Here is their write up on me:

Capitol Records, CMT, TV Guide, American Girl, LeAnne Rimes, Natalie Cole, Linda Ronstadt, Mitt Romney and the last four Utah governors – the clients and businesses that have used Bry Cox’s images read like a Who’s Who of modern culture.

A Master Craftsman, Certified Professional Photographer and photographer to the stars, Bry is unsurprisingly also a Gold Medalist, chosen out of 25,000 international photographers. He also serves on the Adobe Influencer Team and is a member of PPA, the American Society of Photographers, and IPPA.

For Bry, though, it’s not just about what he does with his camera. He has a real passion for teaching and loves to use his experience to help other photographers succeed. He’s been both a platform and pre-conference speaker at Imaging USA, has created PPAedu videos, and published books for photographers. Bry Cox is the ideal instructor, mentor and representative for his industry.

I have fond memories of Nashville. It’s where I originally fell in love with the South and the US Southern culture. I love the politeness, the kindness, the small town feels, the specialty foods, the goodness of the people, …and I could go on and on. I lived in Nashville for 2 years from age 19-21 while I served my religious LDS mission there. I spent my every day for 2 years getting to know individuals while doing lots of community service and teaching.

That era of my life was over 20 years ago, and I’ve been able to visit Nashville a few times since. It’s always a fun excuse to be able to go back and see how much the place has changed, and I look forward to going back in January to speak at ImagingUSA.

 

If you’re a photographer and would like more information on attending and what you’ll learn, you can visit this link to today’s PPA spotlight. You can also check out my workshop website, BryCoxWORKSHOPS.com where I have lots of online help, plus links to where I’ll be speaking like ImagingUSA.

And until next time, America.

Creativity and Fashion Shoots in Texas (Part 2)

Here’s some more images I shot while teaching creativity and fashion for a week in Texas at the biggest photography event of it’s kind. I specifically teach photographers how to connect with people to pull out genuine emotion, while at the same time nailing lighting and everything else technical. That way when you start adding complexity (like movement under studio lights), you create some uniquely magical photographs.

And this cute model with the red hair was terrific to demo these principles because she followed directions and moved instinctively well. And her personality worked well under the studio lights so I was able to push the creative bounds and shoot a lot of movement with her. I love all of these with her hair in motion.

And she really jumped well in high heels. At first I wanted her to jump barefooted because I worried about her landing and getting hurt. But she insisted that she could jump in high heels and they make these photographs even better. She had great positioning in the air, and photographers should note that even when jumping, the lighting is still perfect on her face and waist.

My shoot with her was very quick because I wanted other photographers to try what I was teaching. I’d do a quick demo with her then allow everyone else to shoot. But even in our short demo shoots, we created a huge variety of photographs. This set of mid-lengths on blue really show personality and make her eyes pop.

If you’re a high school senior, a model, or otherwise need some creative images that grab attention, give me a call at 801-728-3317. And if you’re a photographer wanting more training in lighting, creativity, or technique, visit my training site at BryCoxWORKSHOPS.com. I have live seminars around the country and lots of online courses as well.

And until next time, America.

Creativity and Fashion Shoots in Texas (Part 1)

I’m excited to share these photographs that I created while teaching my big week-long intensive photographic workshop in Texas. It’s the biggest and best event of its kind where 1000+ photographers from around the world come in to learn in small groups for an entire week with one instructor. As one of those instructors, my class is specifically on creativity, fashion, and adding emotion to an image – while at the same time nailing everything in camera. That means everything is measured and angled perfectly so exposure and color temperature are perfect, and skin, eyes, and body shapes look great before any retouching.

This first set of images in this post is not a Photoshop effect, but rather one exposure with a series of extremely quick flash bursts. This model was wonderful and moved like a dancer so I was able to describe how I wanted her to move during the shot, and she was able to hit her mark over and over. So each photograph is a series of multiple exposures all in one shot.

I love the blending of images showing movement, and how her red hair pops against this beautiful blue background. All my equipment was provided by my friend Melanie and her family at Arlington Camera. They were able to set me up with exactly the equipment I needed to create a full studio at the hotel. And I broke that gear into multiple studio bays to let photographers try the techniques I was showing.

Here is a short iPhone video showing me in action creating these images. This video was shot by my one of my equipment wranglers and helpers, Lisa Crayford. I took the raw footage and added the photos I shot to the end. Notice how I’m locking my body in to be my own tripod during the long exposure, and looking out over the camera to make sure I shoot and catch exactly what I want.

If you need some creative images that grab attention, give me a call at 801-728-3317. And if you’re a photographer wanting more training, visit my training site at BryCoxWORKSHOPS.com.

And until next time, America.

Street Shoot in Carlisle Pennsylvania, Part 2

While teaching a photographic workshop in Carlisle, Pennsylvania we did a shoot on the beautiful street in front of our hotel. I had previously posted the high school senior that I’d photographed, but I shot a cute little girl who was the daughter of the photographer who organized the event. I wanted to share some of those images as well with again, no retouching. We have great expressions, great skin, eyes that pop, and our color is nailed throughout the shoot. I taught systems for doing all of this on a shoot and these images show how great it works throughout a portrait session.

This little gal had such a variety of expressions, that I thought a composite design was best to show them all off. I can imagine her older in a few years, looking back on this shoot, loving this design, and enjoying her young personality.

And this trio shows off another cute outfit of hers. I really liked her boots in this and wanted to show them off.

If you’re a photographer and want to learn more, check out my live workshops as well as online training at BryCoxWORKSHOPS.com. And if you’re in need of some great photography, give me a call, 801-728-3317. Spring is here and I’d love to create something amazing for you.

And until next time, America.

Street Fashion Shoot in Carlisle Pennsylvania, Part 1

I just got back from teaching a multi-day photography seminar to the Professional Photographers of Pennsylvania. For one of those days, we did a live shoot on the beautiful street of Carlisle, Pennsylvania, just outside the convention hotel. They had this very pretty high school senior model for me to photograph so that I could demonstrate various lighting techniques while shooting fashion images.

The big take-away I hoped photographers would get out of my program was that no matter the location or lighting style, images should be so good in the camera that they don’t need retouching. Eyes should pop, skin should glow, and people should look better and thinner because of your lighting techniques – not retouching.

And great images means a quicker work-flow, cleaner retouching techniques, and far more powerful photographs because they’re believable. As a followup to that shoot, I wanted to post some of my favorites – unretouched of course. I spent my computer time picking favorites, doing some quick color toning, and adding edges. Other than that, no retouching, no eye whitening, no skin softening, nothing. I hope people can see how great these images look. In fact they’re better than most people’s images after retouching.

During the workshop I showed how to create and design collages for clients. During that demo I shared my quick retouching techniques. So in this collage, two photographs are retouched. The rest are not. I doubt most people could tell which ones are which. If anything I hope people notice the variety of personality and expressions from such a short shoot.

And here is a fun trio design using photographs shot just inside the stoop of an old building.

This next image is actually a painting that I created in front of the crowd of photographers. So this was first retouched, then used as a reference to create this painting. I love paintings because they’re so unique and different. And they look stunning on the wall.

This blue tone to the background is not a computer effect. It was done in camera with just lighting. This street was fantastic to shoot on. Every building and doorway was quaint and engaging. We had a lot of wonderful meals on our downtime in this area, all within walking distance.

And to finish up the shoot back at the hotel, a few images in the hotel lobby using a couple strategically placed lights.

I also did a second shoot with an adorable little girl. I hope to post some of those later. But for now, if you’re a photographer and would like to train with me, check out my training website at BryCoxWORKSHOPS.com. I do a few live events around the country each year. But I also offer full online courses on everything from lighting like a master, to getting great expressions, to the quickest workflow using Adobe products. Those courses are great for people who want to learn at home, or get a head start on a live training event with me, or for those who want even more training after a live event.

And for kicks, here is an iPhone pic of me in action shot by one of the photographers. Aside from my entertaining “stance” (which is the correct way to bring your camera-line lower), I like this photo because it shows my camera meter. I believe strongly in constantly measuring the light from all directions. And it also shows the how the street scene and the model look normally with “natural light” (which is how the iPhone sees things) versus in my photographs which have specific lighting techniques added.

If you’re in the market for some new photographs, either as a senior looking for a fashion shoot, or perhaps you need something for your family, now is the time. Give me a call as spring is booking up, 801-728-3317. I’d love to create some fantastic photographs of you.

And until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part VII)

After the Mongolian Buddhist temple, we were taken to a Mongolian school for young children. The principle met us and showed us around, and everyone was wearing traditional robes much like the ones we were given in our ceremony.

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This was a reading class, and the kids all read together, out loud. They were very excited to have us there and seemed to be reading extra loud to impress us. I loved it.BryCox_MongolianSchool_02

There were classes teaching Mongolian dance, Mongolian guitar, and many others. This class was for learning Mongolian writing. I loved the robes, the hats, and the bright colors. This young man was in full concentration and didn’t look up at me at all.
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They had me try my hand at Mongolian writing. It was pretty hard, but I copied the squiggles on the chalk board, not knowing if what I was writing was amazing or completely illegible. So then my government friend wrote my name on the chalk board in Chinese for me to try, knowing it would be much easier. So here you can see I have a column of Mongolian and a couple columns of Chinese.

 

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This little girl was stunningly adorable. She caught my eye as she was coming up the stairs and I had to stop her. I pointed to my camera and she did a curtsy. I can’t explain why I immediately just loved her so much, but I really like the photo and feel I captured her inner beauty.BryCox_MongolianSchool_05

This is the teacher for the Mongolian guitar class. I liked his outfit and entire manner. I stopped him right in the hallway as he was leaving his class.BryCox_MongolianSchool_06

Outside in the cold winter wind, I saw this little boy in the cool red jacket. I liked his style and got a photo of him and his two friends.BryCox_MongolianSchool_07

There were boys outside practicing archery, and I had to get a picture of them.BryCox_MongolianSchool_08

This young man was gathering up the bows from class and taking them back inside the school. I liked his mixed clothing, and the fact that he was standing by the doorways. Often doorways in town were covered with these blankets to keep the heat in, while allowing people to come and go.BryCox_MongolianSchool_09

This little girl caught my eye and I thought she was adorable. I singled her out for her own portrait.BryCox_MongolianSchool_10

We also visited a market street in town, which was a walking street of shops, and I was able to finally buy a winter cap for my ears. We were leaving the next morning and so I only wore it for a few hours, but it was worth it. Along this market street, all of the shops were almost identical in size. I saw these two little baby kids playing, both in yellow with their mothers close by.BryCox_MongolianSchool_13BryCox_MongolianSchool_12And these ladies, all in pink and black working at their shop.
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Here, I started to photograph this dog in the image below, because it was framed nicely by the door behind it. As I did, this little child came up to the window and pressed her mouth and nose against the glass. I quickly shifted my focus and got the shot. I’m guessing that it’s a little girl, and you can see her mother working in the store behind her.BryCox_MongolianSchool_14Then as if on cue, her little friend came up to the other window too, both framed by windows, and the dog turned and looked. It was quite a thrilling moment that me and my photographer friend from Malta that I was walking with, talked about for a while afterwards.
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That evening we had our last big dinner. We were leaving early the next morning and I had heard about people doing “sword gymnastics” in town each morning. I told my government friend that I was going to get up early to find some people doing sword gymnastics that I could photograph. It meant leaving the hotel at 5:30 am, and I asked about where some places might be nearby. He insisted coming early and taking me which I thought was extra kind. I told him I didn’t want to impose and that I would be fine, but he insisted and drove me to a couple places.

 

The sun had not yet come up and I was pushing the limits of my camera’s ISO settings to get a decent exposure, plus the temperatures were incredibly cold, even with my hat and gloves purchased from street vendors the day before. But it was worth it and I was able to get some great images. BryCox_MongolianSchool_18 BryCox_MongolianSchool_19

There are so many images that I could post, but these last few postings cover some of my favorites. As you can see, I had a wonderful adventure and met some very great people. I’m very grateful for these opportunities I had and for the people that made it happen for me. And I hope all of you that have been following these posts have enjoyed these images too.

Until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part VI)

Having a few hours to photograph the Mongolian temple alone was really nice and serene. Eventually as the sun rose, the sky turned blue and the place warmed slightly. The air become less frigid and more comfortable, and monks began to appear and prepare nearby, opening the Buddhist temple doors and getting in their robes.

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Once the main monks were ready, they rang the gong outside the front doors, signaling more monks to come and chant, and letting the local people know that the temple was open.
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As more monks arrived, each took their spot inside, kneeling and beginning their group chant. These two monks watched over as the younger monks read and chanted together.

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They normally don’t allow photography and because there were making a special exception, I moved quietly and slowly, not wanting to be a distraction. I picked my angles and shots carefully, shooting slowly and waiting for the right moments. I tip-toed to a few spots to create a variety of angles, mostly crouching behind pillars and objects for concealment and for a low camera angle that matched the height of the kneeling monks. I would sit crouched, absorbing everything in, and just wait for the right moment to shoot. Then I’d absorb some more, look around for another angle, then when I was ready, slowly move to the next spot.

The lighting was extra difficult, being very dark inside with the only light source being a very bright sun-lit door. In relation to the dark room, the door was incredibly bright, and would have created a big washed out area, so I had to pick my angels carefully to not show the door, but also use the light on an angle on the monks’ faces.
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BryCox_Mongolia2015_336Soon local guests started to arrive, dropping money and saying prayers. I felt I had the images I had hoped for, so I stepped outside the temple. The room was very small inside with very little room to move, and having guests arrive, I didn’t want to distract or be in anyone’s way.

Waiting outside, I photographed a few local people that visited the temple, like this man. I loved his clothing and layers, and his expression didn’t change a bit as I raised my camera to quickly photograph him.

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I found these two men very interesting, they way the stood, studying me, partly in shade, the colors of their coats, their faces – it was too interesting not to shoot.

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Out in the courtyard, this woman lit an incense rod and placed it in the alter.

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As the locals each finished and came out of the temple, they gathered by the doorway, watching me, some even photographing me with their phones. I liked the personality and balance in the way they all stood.

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It was time to leave and I had a walk ahead of me, back through the outer gates, down the steps, and through the terrain and many trails. This is the door to the outer gates at the top of the steps. It was too dark to photograph first thing in the morning, but as I was leaving the sunlight came in at the right angle, casting the right shadows to give this pop and dimension.

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Along my walk out, I kept seeing things I had to photograph, like this bench for meditation and tree covered in prayer ribbons.

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I took a different trail on the way out than I took on the way in, and it was nice getting a different view. For instance in my last post you’ll remember that I first arrived, walking underneath this large stone structure in the distance. At this point in the day, the sun was up, the clouds were out, and the sky was blue. It was a great way to end my trip to this beautiful place.

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Later I photographed a market street full of people and a Mongolian school for young children, all in traditional dress. I’ll share some of those images in my next post.

Until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part V) Buddhist Temple at Sunrise

Early the next morning, we were taken to a Mongolian Buddhist temple. We arrived before sunrise, even before the monks themselves were up. The entire place was empty, quiet, and incredibly cold, especially to me since I was only wearing a t-shirt and light sport coat. The only sound in this serene place were the numerous prayer ribbons flapping in the wind. BryCox_Mongolia2015_301BryCox_Mongolia2015_302

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There were trails that led off in all directions through the trees. Some led to this large stone structure held up by four pillars. All of the pillars were covered with prayer ribbons coming in from all directions, all flapping in the wind.
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Continuing on through some trails, I found this monk getting up and coming out of his yurt. He saw my camera and waved me off as if to say, “no pictures.” But the government official that was walking with me said some stern words to the monk, and then turned to me and said, “You may now photograph him.” The monk smiled and I was able to get this great portrait.

The government official had become a friend at this point. We had many interesting conversations while I was there, and he also knew that I loved to photograph people and faces, not just locations. I don’t know what he said to the monk, but I was very grateful to get the man’s portrait.

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The trails wound their way through the terrain and eventually led to these stairs, going up to the Buddhist temple. I loved that the place was empty, even void of local temple visitors because of the early hour. Having the place to myself to photograph was superb.

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Once getting up to the temple and seeing it was closed, I hiked on, looking for more vantage points and ways that I could photograph it from a distance. There were trails in various directions, that led up and down mountains and through small canyons. And some trails were laced with these prayer ribbons that seemed to go as far as you could see.

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A short hike up some steep rocks let to a great view of the temple and the sun rising behind in the mountains.

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I continued hiking higher and realized that I had very few pictures of myself on this trip. Most of the time after visiting a place, I come home to realize that I have lots of photographs of the things I’ve seen, and no images of me there. I took a moment to shoot a self-portrait using an outstretched arm and my Lumix point-and-shoot. After looking at the image on the back of the camera, I realized I had forgot to remove the shemagh I was wearing to keep my head and ears warm from the cold, winter wind.

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I had packed light and was unprepared for below freezing temperatures. I was only wearing my t-shirt and light sport coat because it was all I brought, knowing that on the past trips to Beijing, I was able to pick up good knock-off NorthFace jackets for $15 when needed. But on this trip I was nowhere near the silk markets of Beijing while in China, and when I got to Mongolia, it was far colder.

I did however buy some knit gloves in Mongolia that had the words, “MAN” printed on them, and I almost always travel with a shemagh for its versatility. It’s handy as a scarf, but can be a tourniquet or sling in an emergency. On this trip I wore it often as a face mask to filter the common cigarette smoke or dusty air, I used it as a sunshade on long drives, and here at the temple I wore it as a head wrap to keep my ears and head warm in the wind.

But forgetting that I had it on the photo, I pulled it down around my neck and asked my new photographer friend from Malta to take a few shots of me. He and I got along great and we found ourselves often hunting for very similar images. I liked his eye, and he also shot the same Nikon D800 that I had with me. So with my Nikon, he shot these two images of me.

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I was very grateful to get some photos of myself on this trip, and now that I’m home, I prefer the first image with the shemagh tied around my head. Though the scarf isn’t oriental, it does give the image a more exotic look.

Hiking up to the highest point on one mountain, there was a fence of prayer ribbons surrounding a very large rock on a cliff. I shot this panorama and it became one of my favorite images from the trip. I’ve already made up a small 30″ print of it for my home.

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Also, my briefcase from Saddleback Leather has become one of my favorite travel items. I use it as an airline carry-on for my iPad, laptop, headphones, and books, and then at my destination I change the contents and straps and it becomes my backpack and camera bag. I had the thought that perhaps if I photographed my cool looking bag in this exotic location, maybe the company would want to buy some images or give me some trade.  So with that in mind, I shot these two images as if for an ad for Saddleback. I haven’t yet contacted them or shown them these images yet, but I really like how they turned out.

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At this point, then the temple opened its doors and the monks began to come for their daily chant. I have a lot of images of them worshiping that I’ll share in my next entry. They are some of my favorite images of the trip.

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So until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part IV)

After lunch in Mongolia, we were taken to see “a village” where the farmers lived. They had been given notice that we were coming and they were ready for us, dressed and ready to give us a parade down their main road.
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As the women danced, there was a little motorcycle trike-type-vehicle with a flat bed that drove down the middle carrying a drummer. Next to the motorcycle walked a cymbal player and a horn player.BryCox_PhotoBeijing2015_China_49

Of the entire crowd, I was drawn to the most interesting face, the cymbal player of the parade. I photographed him a few times, and at the end, he removed his gloves and shook my hand with a big smile.

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During the parade, these beautiful local ladies came out to see us and the parade.
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And this little boy came out of his house to show me his puppies by holding them out by their tiny paws. His mom, excited by him getting photographed went to get more puppies for him to show me. Interestingly, the puppies didn’t whine or squeal at all from being held this way. They seemed to like the attention from their little owner.
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After seeing the village, we went out to the farm were workers were hustling to bag corn. I found myself shooting a lot of horizontal portraits that showed the local environment. Here you can see the brown empty corn cobs in piles, ready to be hauled off, and bits of corn kernels that didn’t make it into bags get swept up with a homemade broom.
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Running and moving quickly as the sun was setting and these guys were working and didn’t want to be bothered, I would wave to people and smile. I love how big their smiles were back to me.
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This last woman was sweeping spilt corn kernels into piles, then separating the dirt by throwing shovelfuls into the air, allowing the dirt to blow to the side.
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That night, me and the other foreign ambassadors were given custom Mongolian clothes that were made for each of us, and then honored at a dinner. One nice touch for me was when they played the theme song from “The Magnificent Seven” as I walked up on stage to receive my award. Being a cowboy at heart, I’ve always liked that movie but it also has Asian roots being a re-make of the 1950’s movie, Seven Samurai. I’m not sure anyone else was aware of the connection, but it made the moment more meaningful to me, especially dressed as I was.
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As you can see, each day was an adventure and I was treated royally, for which I’m incredibly grateful. Coming up, I’ll share with you the images I created the next morning at a Buddhist temple at sunrise.

Until next time, America.

Bry Cox at Photo Beijing China & Inner Mongolia (Part III)

After Beijing, I was taken to Inner Mongolia as a photographic ambassador. There was a photo convention there too, and myself along with some of the other foreign photographers from the Beijing round table were the guests of honor. The drive was a long but beautiful 12 hours.

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The next morning a local government man who became a friend of mine over the next few days took us on a tour of his city. Being foreign guests, he was in charge of our well being and he also worked as our pseudo-translator. One of our stops included a desert area where he said, “You can photograph ships over there.”

I walked, looking for what didn’t make sense – perhaps some giant, land-locked ships deserted in the desert. But instead I saw a sheep herder and his sheep a ways off. “Oh SHEEPS!” I said in my mind. And being raised in farm country of Utah, I was less interested with photographing the sheep but instead enthralled with the sheep herder. I love faces, especially when I travel and I ran up to this man, waved, and pointed to my camera to signal that I wanted to photograph him.

I wasn’t prepared with my pro gear this morning. I thought we’d be shaking hands or something, so I was actually in my suit and only had my small Lumix LX100 point-and-shoot camera around my shoulder. But I love that camera for it’s dials and manual controls and I was quickly able to get these portraits of this man, shot just as you see them, un-cropped.

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I started to understand what it meant for this city in Mongolia to have us foreign photographers visit as “photographic ambassadors.” They were proud of their city and wanted to show us everything, from museums, to farms, to their cultural heritage of schools and Buddhist temples. They fed us great food each meal and wanted us to get great images of their part of the world which they hoped we’d go show the rest of the world. All of this was seen as good publicity for their city. Plus they mentioned multiple times what a great honor it was to have all of us from so many different countries, there to visit their city in Mongolia.

At this point we took a lunch break and returned to the hotel and I was able to change into my casual clothes and refit my leather shoulder bag with my larger, pro camera gear. I was also able to go on a short photo walk around the hotel in search of some gloves as it was below freezing there and all I had packed for clothes besides a suit was a couple t-shirts and a sport coat. I found some great gloves and also captured these abstract moments.

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After lunch we were taken to see a village where farmers were working. I shot so many images there. The local people heard we were coming and were dressed for a parade down their main road when we arrived.

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It was quite an experience and I have a lot of those images to share coming up. But as you can see, each day was an adventure, and I’m incredibly grateful to have been a part of this event.

Until next time, America.