Thoughts

BlackRapid Photo-Moto Ride 2023 – Part 4

Posted by BryCox (Admin)

Once a year, some photographer friends of mine get together for a multi-state motorcycle ride. For the last few years, it’s been branded and put on by Ron Henry, the founder of BLACKRAPID. This is the last and 4th part in this series documenting this year’s ride. (See Part 1 and Part 2 and Part 3.)

As everyone headed out from the Santa Barbara docs in their various directions, Mike Ridinger, his son Cade, and myself made a route home that would take us on backroads through Death Valley and the Utah Salt Flats.

Cade as the passenger on Mike’s bike would check routes and give us options as we rode. It allowed us to avoid all the LA traffic and large freeways clogged with cars, and instead take the most beautiful scenic side routes in California.

We slowly weaved our way northeast, spending hours curving through farm land and orchards. It was a completely different view of California than I’ve seen previously. It was a sea of orchards and farms, interspersed with little towns perfect for gas stops.

In one town, there was this building on the left with a series of colors. I stopped to photograph it while changing up clothing. We seemed to go through warm areas, then cold, then rain, then back to warm all along this route. We’d go up mountains and hills, down, and the weather would constantly change.

At one point we stopped along a roadside to change up our clothing and gear. Mike got this photo of me and Cade chatting and looking at the sunset.

It’s amazing how open and wide the country is when you get off the main roads. While stopped, I took a photo of my bike on the side of the road.

As we looked off at the sunset behind us, we were amazed by the colors and the layers of mountain peaks in the distance.

As we continued on into the twilight, we found a town with a suitable hotel and got some dinner for the night.

The next day we got up, packed our bikes, and headed for Death Valley. It started out as a hot morning, and as we rode through this area, we had no internet. But Mike’s thermometer consistently showed we were in the 100º-115º range depending on our elevation. At this temperature, the “wind-chill” that happens when you ride is actually makes the temperature feel even hotter. At a certain temperature point, the wind blowing past you as you ride isn’t cooler, but hotter.

Being this hot, this was a great place to stop to eat, cool down and gas up. I liked this old truck with the sign saying, “Last Gas for 45 minutes.” Gas out here is far and few between – as we find out later. But first, we absolutely enjoyed our time and Death Valley. My phone kept shutting down from the heat, even if I put it in my pocket out of the sun. At one point, we visited a gift shop, and I put my phone in the ice cream freezer to get it to start working again.

From Death Valley we headed to a town called Tonopah to fill up – it’s the last gas station for 170 miles on the way to Ely, Nevada. Mike’s gas tank is bigger than mine, but I had some spare gas on me too, just in case. My tank, with normal riding can go about 120-140 miles before I run out of gas and have to switch to my reserve tank, where I’ll get another 30 miles. It was cutting it close on making it the 170, but we were too far away from anything for another route, plus I did have extra gas on board.

So we gassed up and headed out to Ely. Along the way we’d talk and re-calculate, wondering how close to town I’d get. Eventually, my main tank gave out and I switched to reserve. Eventually, that gave out and I poured the rest of my gas I had with me in my tank and we continued on. When that puttered out, we were about 9 miles from town. Mike and Cade went ahead into town to get me gas, while I pulled over and watched the night and the empty road. Before long, they were back with extra gas for me and we went on into town, got a hotel, and talked about our day’s adventures over dinner.

The next day we headed to Wendover, Utah, dodging storm clouds and getting hit at one point with the edge of a wild rain storm. I shot this image at a Mexican restaurant were we cooled down and got some lunch.

With a new tank of gas, we went out to the Bonneville Salt Flats of Utah.

We took some time to enjoy the flats and photograph our bikes on the stark, white salt. My blue bike really popped with the color scheme of the flats – blue sky and white clouds and salt.

Mike brought a small studio flash and we had some fun playing with lighting on the Salt Flats.

From here we headed home to my place in Utah, a few more hours to the east to relax, eat, and decompress. The next day Mike and Cade packed up and headed home to Lewiston, Idaho. It was the end of a great adventure. Over 2100 miles and friendship and adventure.

And on a portrait note, kids are back in school and fall weather is coming. It’s the perfect time to update family and kids’ portraits before the pretty green dies off. Give me a call at 801-728-3317 and let’s set something up.

And until next time, America.

BlackRapid Photo-Moto Ride 2023 – Part 3

Posted by BryCox (Admin)

Once a year, some photographer friends of mine get together for a multi-state motorcycle ride. For the last few years, it’s been branded and put on by Ron Henry, the founder of BLACKRAPID. This is part 3 of this year’s ride. (See Part 1 and Part 2.)

Waking up in Santa Barbara, we all hit the road looking for the curviest highways we could find. I took these images off-hand with an SLR camera slung on my shoulder, pointing backwards – using a BLACKRAPID sling (of course) to avoid dropping it on the pavement below. I love how these turned out. I love seeing the group hug the road on the curves, the gorgeous sky, and all the beautiful terrain we rode through.

Ron took us on a particular backroad that was mostly secluded. It was quite a pretty place to stop and take some photos.

I really like my pretty blue bike, and how the blue pops against different backgrounds. So at this stop I took a few angles of my ride. These kinds of images make great small prints for the house to look back on our adventures.

I always try to photographed the team now and then too. When the group would stop to talk for a minute, I’d swing my camera up and get these images.

At one point, I got out my drone for some group photos, but first took a test shot – a drone selfie (… a dronie perhaps?).

With the drone set up, I got some group shots with everyone standing by their bikes, and then looking down for the abstract angles on the bikes.

You can see Ron here looking up with his hands out.

We eventually hit a small town called Solvang. It’s a Danish inspired town with fun buildings and architecture. It’s a great place to stop, photograph, and perhaps stay a bit to enjoy the food and the ambiance. Everything about the town was quaint and lovely.

Our bikes looked especially good lined up in this cute town.



From there, we headed back to our hotels in Santa Barbara to eat, relax, and compare stories about the day. That night as we talked, we realized that various people needed to head in different directions, and this seemed to be the best place to split up.

So the next morning, before everyone took off, we went out to the Santa Barbara board walk. I got out my drone for an abstract shot looking down on us and our bikes. 



Ron was wearing his official BLACKRAPID Moto-Ride sweatshirt.

And of course one more shot with Ron before everyone headed out in their various directions.

And as different groups headed out, I got a shot of them each leaving, driving off down the boardwalk.


As Mike and I left, I got this image of him and Cade behind me. But before that, Mike, Cade, and I hung out a bit longer, figuring out a route home to Utah – avoiding freeways and focusing on curvy backroads. We found an outdoor breakfast place and ate as we planned and talked tings through. Then we headed out through some beautiful California country.

As we drove, Cade was our travel agent, checking routes, available gas stations and hotel options. Our route home through Death Valley and the Utah Salt Flats will be featured in the final Part 4 coming up.

In the meantime, it’s time to updated kids’ photos as well as your family portrait before the beautiful summer green dies off.

Give me a call at 801-728-3317 and let’s set something up.

And until next time, America.

BlackRapid Photo-Moto Ride 2023 – Part 2

Posted by BryCox (Admin)

Once a year, some photographer friends of mine get together for a multi-state motorcycle ride. For the last few years, it’s been branded and put on by Ron Henry, the founder of BLACKRAPID. This is part 2 of this year’s ride. (See Part 1 here.)

After waking up in California, we headed up the coast through various towns.

We picked up a new rider and photographer in California named Robyn Richardson. Being from the area, she led us on some curvy and beautiful roads as we moved through the state. We eventually stopped at a famous biker stop called the Rock Store on Mulholland Highway in the Santa Monica Mountains. The owner gave us a tour of his place, and we stayed for a bit to order food and eat outside.

From there we explored various roads and highways, hitting mist and fog, sunshine, and a bit of rain. Here’s some of the photographs I created as we rode.

There’s some famous biker stops along the way, and we stopped to see them all. Neptune’s Net is one, and it was set in a beautiful location.

Here’s a selfie of Ron Henry (founder of BLACKRAPID) and I.

From there we went up the road a bit to look off a cliff and hang out. I got out my small drone and created this fun group portrait overlooking the ocean.

We eventually landed in Santa Barbara, and got hotel rooms for the night, ate dinner and relaxed – talking about our adventures and planning out next day’s ride.

Coming up in Part 3, we explore the small roads and towns surrounding Santa Barbara. The creative side of my brain really loves to see the world as abstract squares, so I’m often running away from the group here and there to capture the square abstract in my mind. Here’s some of these from these two days in this area.

Coming up, I’ll share more images from our ride through California (part 3), then our ride home through Death Valley and the Utah Salt Flats (part 4).

In the meantime, it’s back to school week here in Utah. It’s time to updated kids’ photos as well as your family portrait before the beautiful summer green dies off.

Give me a call at 801-728-3317 and let’s set something up.

And until next time, America.

BlackRapid Photo-Moto Ride 2023 – Part 1

Posted by BryCox (Admin)

Once a year, some photographer friends of mine get together for a multi-state motorcycle ride. For the last few years, it’s been branded and put on by Ron Henry, the founder of BLACKRAPID. I do a lot of commercial work for BLACKRAPID and have long loved the brand. If you’re unfamiliar with the brand, they make the best camera straps in the industry and are the most comfortable and versatile strap I’ve used.

Ron has a place in California, so this year we did a ride down to his place and toured around California. It started with Mike Ridinger and his son Cade, driving from Lewiston Idaho down to my place in Utah. Then we took a couple days to ride out to California. Being photographers, we stop along the way to photograph anything that catches our eye.

From my place to Ron’s, then touring California and back, was over 2100 miles.

The rule of riding is to avoid freeways and straight roads. We prefer the curvy, less used highways that take a bit longer and cut through small, older towns. These places are passed over by all the travelers on faster roads, in a hurry to “make good time” and get somewhere fast. We may ride fast, but our emphasis is on “good,” not “time.” We stop to take pictures, backtrack to hit a curvier, prettier road, or search out the highly-recommended small town burger stop.

Heading south through the backroads of Utah, we were constantly avoiding rain clouds. At one point we were in the clear area between three different rain storms surrounding us.

This way of traveling meant we rarely saw anyone on these pretty Utah backroads. The wide-open country was just ours.

By nightfall we had hit St. George, Utah, and needed to reluctantly use the freeway to get to Mesquite, Nevada to stay for the night.

The next morning we gassed up in Vegas, and then headed south-west through the desert heat on more backroads.

My attention is always caught by abandoned signs. These old roads used to be the main roads before freeways, so they’re littered with the remnants of old signs from motels and gas stations. When I look back on my photographs from the trip, I have tons of images of old abandoned signs. This one was particularly pretty.

When we arrived in Palm Desert, California, we met up with Ron and our friend Angel who rode in from Arizona. Then we all went to eat in the swanky town.

Coming up, I’ll share images from our ride through California (parts 2 and 3), then our ride home through Death Valley and the Utah Salt Flats (part 4).

In the meantime, the summer heat here in Utah is dropping. It’s the perfect time for family portraits outdoors in my studio gardens or even inside in the studio.

Give me a call at 801-728-3317 and let’s set something up.

And until next time, America.

Charity Santa Photos for Refugee Kids

Posted by BryCox (Admin)

Yesterday, I spent the day setting up and photographing a solid line of refugee kids with Santa. I was asked by my friend Marley who’s involved with a charity called Care Cuts. My good friend and fellow photographer, Cory Waite came to help me, and over the course of a few hours, Cory and I photographed a ton of kids and families.

Here’s a quick light test of the gear and setup before photographing all the kids – Marley, Cory, and me with Santa.

A lot of kids were photographed as families or groups, like this. I especially liked this little boy and his bowtie.

This was a great Santa. He was a lot of fun and did a great job. At one point when we took a break and Santa got up, I quickly sat in his chair with my remote. We got a couple funny shots when he came back to sit next to me.

The charity is called Care Cuts because they give free haircuts at specific pop-up events like these. So besides these Santa photos, people could also get free haircuts. The place was packed all day.

Here are some of the main people from the Charity.

I hope everyone has a very Merry Christmas. And until next time, America.

BlackRapid Motorcycle Tour of Utah (Part 2)

Posted by BryCox (Admin)

During the summer, I helped lead a motorcycle trip through Utah for BlackRapid. I posted a while back about our first day (Part 1), and wanted to share more of the images created along the way.

Continuing from where I left off in Moab, the next morning we took some long day rides around the area. First we drove down the windy Colorado River, stopping along the way to photograph various rock formations. I love this group portrait with the red rocks behind us.

Sometimes along the curvy roads, I’d grab some photographs with my free hand. I love the terrain of Utah, and the ride was amazing. The mix of deep blue skies from the 100º degree weather, mountainous terrain, and windy roads made for some unforgettable moments.

We stopped at the Sorrel River Ranch to rest and get some drinks in the shade. Frank Masi got this image of me in the parking lot there.

I saw Frank walking around and creating images, and at one point he was perfectly framed in this window overlooking the Colorado River.

After some time relaxing in the shade, we went back into the sun to make the ride up to Dead Horse Point.

There’s some amazing curves and turns on the ride to Dead Horse.

At the Dead Horse overlook, we setup our bikes for various photographs. Here’s Ron Henry and Frank Masi.

This wide panorama of the overlook does not do the area justice. The image is amazing up close, but the scene is overwhelming in person. It’s awesome to look over and see how big, vast, and inspiring this area is.

Frank stood up on his bike to get an even higher view of the overlook.

With my small packable tripod, I was able to get this group portrait of all of us at the overlook.

Here’s Mike Ridinger and his son, Cade with their bike at the overlook.

I got this image of Angel’s bike and I’m glad I did. This beautiful bike was later stolen from his home in Arizona.

Here’s my blue bike in the same location both alone and one with me on it.

Exploring more through the Dead Horse area, we checked out some other overlooks.

I almost died on this cliff. 😉

After a long day of riding, we headed back to Moab for some dinner and air conditioning.

I have much more to share, and will continue later in Part 3. In the meantime, if you’d like to see any of the iPhone images created along the tour on Instagram, just search the hashtag #BlackRapidMoto2020

And until next time, America.

BlackRapid Motorcycle Tour of Utah (part 1)

Posted by BryCox (Admin)

We recently had the BlackRapid Motorcycle Tour of Utah, and it started here at my home studio. Photographers from around the country came for a week of touring the backroads of Utah via motorcycles.

I do a lot of commercial work for BlackRapid, and have long loved the brand, and the camera straps the company makes. If you’re a photographer, make sure you check them out. They’re by far the most comfortable and versatile strap I’ve used.

Ron Henry, the founder of the company put on the event and I’m happy he did. I had gotten used to the Covid life and could feel the change and a feeling of relaxation when I saw all these cool bikes lined up in my driveway.

We headed out and met in Salt Lake to gather the rest of the group and begin our ride south through the 90-100º heat towards Moab in southern Utah.

Though some photographers cancelled due to Covid and some couldn’t make it across boarders, the photographers that came were a great group of guys. The size was perfect, and we took this group shot before heading out. The photographers are from left to right:

On the long ride to Moab through the heat, I took a few photos with my iPhone during some of the long stretches of highway.

Though we posted iPhone images along the way to social media, my favorite way to create images is with an actual camera. But for things like this, I don’t like taking my high-end professional gear. Though I’d get the best possible photographic images if I did, instead I take a small and compact camera with manual controls. It takes up less space, I’m not worried about it getting broken or lost, and I know the images I’m creating with it are going to work out and give me the highest resolution and bit-depth possible for it’s small size.

If I want to make prints large or small, or even crop, edit, or zoom into an image, I’ve got the quality to do so.

Once in Moab Utah, we got our hotels secured, unpacked our bikes and then headed out to ride through Arches National Park for the latter part of the day.

The sun low in the sky, made for some dramatic light and shadows on these gorgeous red rock formations. We’d ride a ways, stop, chat, and take photos, …then ride some more, just soaking everything in.

A motorcycle is a great way to be in this environment. In a car you can’t look up or around, nor can you feel the air change you pass different vegetation or go from sun to shade. On a motorcycle you’re in it all and you feel it.

As Robert Pirsig says in his great book, Zen and the Art of Motorcycle Maintenance:

“In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame.

On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.”

At one point we stopped to watch the sun go down behind a formation, but the setting sun created some beautiful light on us and the formation behind us.

The great thing about traveling with photographers is that we all are on the same artistic journey – we all want to stop and take photograph along the way. When we travel with other groups, we feel pulled to go in different directions or stop and take photos and enjoy some particular scenery, but no one else wants to. It means leaving the group, which is hard to do.

Here, if someone wanted to pull over to photograph something, we’d all pull over and just enjoy the moment and look to see what that particular photographer was seeing.

As the sun set below the horizon, we rode the curvy roads out of the park, through the dark and warm summer air, back to the small town of Moab for dinner. It was a great first day on the moto tour of Utah, and there’s much more I have to share coming up in part 2. The next day we did some awesome day rides and took some great photographs. That will all be coming soon in the next part of this series.

But in the meantime, if you’re on Instagram get a peak of our iPhone images by following the hashtag, #BlackRapidMoto2020.

And until next time, America.

After a Blog Hiatus, I’m Back

Posted by BryCox (Admin)

Everything has been so weird in the world, I haven’t felt like blogging and posting photos, yet each week I’ve thought about it because I’ve had so many cool shoots I’ve wanted to share – both during and from before all this craziness in the world.

Covid and shutdowns has affected weddings, family portraits, pretty much every shoot I had scheduled. Almost everything has been cancelled and even my speaking and training events for photographers have all cancelled.

One wedding that I did photograph recently became a small and quite amazing garden wedding in the yard with just immediate family. I’ve often been amazed at all the money people spend on weddings over the years on areas that I myself don’t value as much. I know that photography is the most important thing and should be a bigger part of the budget because it’s the only thing we keep when the wedding is over. It’s our memories of the day in an artistic form.

So many other expenses seem to be about impressing all the guests in attendance, and one good thing about the Covid weddings are that people are saving money and only getting what they really care about.

This recent wedding was a perfect example. It was serene and perfect. It was in the family’s gorgeous yard with their immediate family, and they had me come do some amazing photography. And the images are fantastic! I hope to share some of them soon on this blog.

I’ve created portraits for the occasional high school senior during this time too. Seniors currently value great photography, particularly because everything else in their senior year has been cancelled – their dances, senior trips, all their plans that they’ve looked forward to are gone. So creating an album of wonderful images for them to document this point in life has been important. I’ll share some of these shoots soon too.

I feel grateful to have the commercial work that I’ve had during this time too. Because of other things being cancelled, I’ve been able to spend more time on certain commercial clients and it has kept money coming in.

Thank you to everyone who’s made orders large and small, like reprints from past family portraits to new shoots, albums, and other things. I appreciate every order and every chance to make something amazing for people.

So to kick off my next blog entry, I’ll share something completely different. I’m going to share photographs from a recent motorcycle trip through Utah. It was a great chance to get away and enjoy a sense of normal life again.

“Soft Rain” by Janet Cox (My Mom)

Posted by BryCox (Admin)

My mom wrote this song, “Soft Rain” a few years before I was born. She wrote it on her ukulele and my dad arranged it for choir and orchestra. I grew up hearing it all the time. Besides singing it as kids, we’d constantly be invited to hear choirs across the valley perform it.

I really love this song, and our beautiful Utah spring weather has made various people post about this song online this week. So my sister took a recording from the 1970s by the Mormon Youth Symphony and Chorus, created this video, and posted it to her YouTube.

There are two windows to the outside world: the version given to us through screens (TV, news, movies, social media), and our actual windows to the outside. The messages are completely different from both views. The first tells us to worry, have fear, and creates anxiety. The second is much more positive. Being outside, talking with our friends and neighbors, and being involved in our community creates a far more positive view of the world.

So being spring time, and knowing that we all need something beautiful and positive today while we’re all in quarantine, here’s this song my mom wrote, called “Soft Rain.”

And until next time, America.

Joe McQueen Passes Away at 100 Years Old

Posted by BryCox (Admin)

Famous Utah sax player and friend to many of us, Joe McQueen has passed away at 100 years old. Many musicians of course know Joe here in Utah. But those who follow my blog may know him from these recognizable portraits I’d done of him a few years ago.

For his 100 year birthday, I’d recently helped his Baptist church congregation in putting together a book on his life. And they had me play sax at his birthday party too. For that event, I made up these two videos.

Here’s the video clip of performing at his birthday party in June.

Recently, my dad and I had dinner with Joe and some other friends of his from church. He was in great spirits and has kept a busy schedule gigging, even at 100. He was always blessed with health, talent, and was a friend to so many people. At his last birthday, it was inspiring to hear so many people talk about how their lives were changed by Joe.

I’m grateful for the time I had to get to know him. He inspired many people in many areas of life, and his friendship has led to other dear friends for which I’m grateful.

I know he’s playing his sax and feeling young and free in heaven.

It’s my Birthday & Time for an Updated Portrait

Posted by BryCox (Admin)

After years of being a photographer, one of the biggest hurdles I’ve noticed for clients is that they stress about getting new portraits done. I understand that. Everyone has the same excuses to put off professional photos: I’m getting older, I don’t like how I look right now, I don’t have time, it feels vain, I’ll do it later, etc.

So to set the example, and for the mental exercise of doing it, I update my portrait each year. I use my use my birthday as the reminder and catalyst to create something new. I think it’s important to keep your portrait up to date, no matter what.

Many times a client will show me their website, and their business headshot is 5-10 years old. It looks dated, and nothing like them. And I speak and train photographers around the country as a PPA Master Photographer / Photographic Craftsman. Even amongst photographers, it’s not uncommon to see them using old headshots. So of all people, we as photographers should get and show updated portraits.

So for my new portrait, I wanted to try something new this year. I decided to do everything the opposite of my last one. Normally I’m smiling in my images, so I instead I’m serious. Normally as people get older, I photograph them with softer light to hide wrinkles, so for this I did sharp specular light to highlight wrinkles, lines, and textures. Normally headshots are close up, and so this time it’s full length. And normally I do a clean white or fashion gray for headshots, so this time I used a dark, hand-painted, Oliphant-style background that I got in California from DBC Backdrops. Normally a headshot is bright and airy, this time it’d be darker tones and moody.

After setting up the equipment and metering the lighting, I shot a few options both standing and sitting using a hand-held remote to fire the camera. These were my favorites. The artistic side of me often has to live with something for a bit to see how I like it, and so far I am really liking these. They are completely different from my last ones.


And I have another self-portrait to reveal on my birthday. I wanted to do a fun image of me, riding my motorcycle by standing on it, while driving through an exposition, shooting a gun, and waving the American flag. It would be over-the-top enough to be funny and entertaining, but also artistic and well-done down to the tiniest details. I’d do it just like a commercial art piece for a client.

For commercial work, sometimes a shot is impossible to get. In those cases I’ll create illustrative composites – multiple images combined into one impossible-to-create image. These digital composites are surreal worlds that don’t really exist. It’s a complex process, but first the idea is mapped out, then a series of photographs are created of each piece matching lighting throughout, then those parts are painstakingly blended together into one final art piece.

I love how it turned out. It’s comical and fun, but the attention to detail (like the shadows, lighting, and blending) all look great, especially up close.

Portraits should be fun. The creation process should be enjoyable and memorable. If you get them as custom wall art that you see every day, then those portraits should make you happy when you see them. We shouldn’t put off getting portraits either. I’m a believer that we should have current portraits that we love, whether you’re single, married, have kids or not, you should have a portrait that represents this time of life in a beautiful, artistic, and uplifting way.

If you’d like a new headshot or even some new family portraits, it’s a great time to come in. The studio gives us a lot of artistic options, but there’s still some fall left to do something outdoors too. Give me a call at 801-728-3317.

And until next time, America.

I Love Portraits Because I Love People

Posted by BryCox (Admin)

The magic of a photograph is unlike anything else. 

I specialize in portraits of people. I love people – I love children. Each child is beautiful and unique, and I love that I’ve been trusted with capturing who each child truly is. 

The most important thing in life are family and relationships. We’re all terribly busy and we have problems and issues. But getting together for a moment, to create a family portrait is important. Loved ones pass away, or go off to far away places. There really is no better time than right now. 

I connect well with children, because they see me as a big kid. They know I care about them and understand them. I know just how to get them to relax, smile, and look beautiful in a portrait. 

I am one of the most credentialed and award winning photographers around, so besides getting great expressions, your portraits will be beautifully lit and composed, and gorgeously printed and framed. 

But more than anything, you’ll be able to look at this portrait throughout your life and see and remember the togetherness and relationships of your family and loved ones. 

That’s what I do – I do it with light, with emotion, and with quality all the way through. 

If you’d like to see more of my portrait work, check out my main website at BryCox.com. And give me a call at 801-728-3317 and let’s talk about your next portrait of either you, a loved one, or your family.